"Slave girls on Gor address all free men as Master, though, of course only one such would be her true Master"
About this Quote
There are two moves happening at once here: world-building as pretext, and eroticized hierarchy as thesis. By having “slave girls on Gor” address “all free men as Master,” Norman isn’t just sketching an alien etiquette. He’s laundering a power fantasy through the grammar of a supposedly coherent society. The sentence turns domination into a default social setting: “free men” are collectively entitled to a title that implies ownership, while the enslaved woman’s individuality is reduced to a speech habit.
The small hedge - “though, of course only one such would be her true Master” - is where the subtext sharpens. “Of course” performs inevitability, making the logic feel natural rather than chosen. The “true Master” clause also introduces a quasi-romantic exception that softens the brutality without challenging it: yes, she must defer to all men, but her “real” belonging is singular. That pivot is crucial to the fantasy’s stability. It offers readers a narrative of destiny and intimacy that masks the larger system as less violent, more consensual, even while it depends on coerced language and status.
Culturally, the Gor books sit in the long 20th-century tradition of speculative fiction used to stage anxieties about gender roles, liberation, and control. This line condenses the series’ signature maneuver: present submission as an orderly, even “honorable” code, then invite the audience to confuse that code with truth about desire. The result isn’t just sexist; it’s rhetorically shrewd, because it makes hierarchy sound like etiquette rather than ideology.
The small hedge - “though, of course only one such would be her true Master” - is where the subtext sharpens. “Of course” performs inevitability, making the logic feel natural rather than chosen. The “true Master” clause also introduces a quasi-romantic exception that softens the brutality without challenging it: yes, she must defer to all men, but her “real” belonging is singular. That pivot is crucial to the fantasy’s stability. It offers readers a narrative of destiny and intimacy that masks the larger system as less violent, more consensual, even while it depends on coerced language and status.
Culturally, the Gor books sit in the long 20th-century tradition of speculative fiction used to stage anxieties about gender roles, liberation, and control. This line condenses the series’ signature maneuver: present submission as an orderly, even “honorable” code, then invite the audience to confuse that code with truth about desire. The result isn’t just sexist; it’s rhetorically shrewd, because it makes hierarchy sound like etiquette rather than ideology.
Quote Details
| Topic | Human Rights |
|---|---|
| Source | Help us find the source |
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