"So basically, I think music at its best can be everything. It can be totally stupid and very intellectual and emotional at the same time. I don't think all those things shut each other out"
About this Quote
Valo is making a case for impurity - and doing it in the unpretentious language of someone who’s spent a career watching taste hierarchies police the fun out of rock. “So basically” is doing real work here: it’s a shrug at gatekeepers, an insistence that the argument shouldn’t need a manifesto. Music “at its best” isn’t a single virtue (authenticity, sophistication, raw feeling); it’s a messy convergence where the brain and the body stop negotiating and just agree.
The provocative hinge is “totally stupid.” He’s not insulting pop pleasures; he’s defending them. “Stupid” is the word critics use to demote anything too immediate, too catchy, too horny, too sincere. Valo flips it into a strength: the dumb riff, the obvious hook, the adolescent melodrama can be the delivery system for something genuinely complex. That’s also a quiet self-portrait. HIM’s whole aesthetic - gothic grandiosity with pop immediacy - lives in that overlap, where a song can feel like eyeliner and literature simultaneously.
The subtext is anti-binary thinking: art doesn’t have to choose between being clever and being felt. “I don’t think all those things shut each other out” is a gentle rebuttal to the old rock-critic script that treats intellect and emotion as competing brands. Valo’s intent is less to elevate music than to liberate listeners: stop auditioning your tastes for respectability. Let the “stupid” parts in; they’re often the ones that unlock the rest.
The provocative hinge is “totally stupid.” He’s not insulting pop pleasures; he’s defending them. “Stupid” is the word critics use to demote anything too immediate, too catchy, too horny, too sincere. Valo flips it into a strength: the dumb riff, the obvious hook, the adolescent melodrama can be the delivery system for something genuinely complex. That’s also a quiet self-portrait. HIM’s whole aesthetic - gothic grandiosity with pop immediacy - lives in that overlap, where a song can feel like eyeliner and literature simultaneously.
The subtext is anti-binary thinking: art doesn’t have to choose between being clever and being felt. “I don’t think all those things shut each other out” is a gentle rebuttal to the old rock-critic script that treats intellect and emotion as competing brands. Valo’s intent is less to elevate music than to liberate listeners: stop auditioning your tastes for respectability. Let the “stupid” parts in; they’re often the ones that unlock the rest.
Quote Details
| Topic | Music |
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