"So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore"
About this Quote
Miroslav Vitous, a renowned Czech bassist, is reviewing the evolution of his musical style and technique in this quote. The declaration recommends a considerable shift in his playing style in time. Initially, Vitous might have been more concentrated on showcasing his technical abilities and playing extensively. This is a typical stage for lots of musicians, particularly those who are incredibly talented and excited to express their complete variety of capabilities.
In stating "among those bass players who can do something", Vitous acknowledges his efficiency and the distinctive contributions he gives his music. It exposes a confidence rooted in his technical prowess and experience. This ability to "do something" indicates that he can produce a noteworthy effect or unique element in his efficiencies or compositions.
The most interesting part of the quote depends on the dichotomy between past and present--"it was at that time and now it is even more". This mean a deepening of his musical insights and maybe an increased level of maturity in his artistry. It suggests that although his skills appeared in earlier works, he has actually undergone development not simply in strategy but in musical philosophy too.
The mention of the new album suggests a deliberate shift in his technique: "I am not playing all the time anymore". This might be analyzed as an approach restraint and minimalism, favoring the power of silence and sparseness over constant instrumentation. It shows an understanding that music is as much about the areas between notes as the notes themselves. Such a shift typically comes with experience, where one learns that impactful music does not necessarily need a continuous or frustrating existence of noise.
In essence, Vitous is communicating a journey from a focus on technical demonstration to a more nuanced method that values the quality and positioning of each note, allowing music to breathe and evolve organically, suggesting a deepened focus on musicality over mere virtuosity.
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