"So I have a friend who works for me once a week. She's got e-mail, so anybody that must send an e-mail, they send it to her and she faxes it to me. Sounds like a long way of doing things, but it works for me"
About this Quote
McPartland’s workaround is funny because it’s not performative Luddism; it’s a musician’s practical hack. She’s not thundering against modernity, she’s rerouting it through a trusted human intermediary like a bandleader sliding a chart across the stand: keep the signal, ditch the noise. The punchline is the calm shrug of “it works for me,” a phrase that quietly rejects the tech world’s moralism that newer automatically means better.
The specific intent feels less like a confession of ineptitude than a boundary-setting move. E-mail isn’t framed as liberation but as obligation: “anybody that must send an e-mail.” That “must” carries the cultural pressure of the late-20th/early-2000s workplace, when digital communication stopped being optional and started being a loyalty test to the present. McPartland answers with a system that preserves her autonomy. She doesn’t adapt her life to the machine; she assigns the machine a role in her life.
The subtext is about control of attention, not fear of technology. A once-a-week filter turns the always-on drip of messages into a manageable rhythm, closer to rehearsal than to surveillance. It’s also quietly classed and collaborative: she can do this because her work affords help, and because she values delegation, a core skill in ensemble music.
Context matters: McPartland built a career on listening. This quote defends listening time against the tyranny of the inbox, with humor as the soft armor.
The specific intent feels less like a confession of ineptitude than a boundary-setting move. E-mail isn’t framed as liberation but as obligation: “anybody that must send an e-mail.” That “must” carries the cultural pressure of the late-20th/early-2000s workplace, when digital communication stopped being optional and started being a loyalty test to the present. McPartland answers with a system that preserves her autonomy. She doesn’t adapt her life to the machine; she assigns the machine a role in her life.
The subtext is about control of attention, not fear of technology. A once-a-week filter turns the always-on drip of messages into a manageable rhythm, closer to rehearsal than to surveillance. It’s also quietly classed and collaborative: she can do this because her work affords help, and because she values delegation, a core skill in ensemble music.
Context matters: McPartland built a career on listening. This quote defends listening time against the tyranny of the inbox, with humor as the soft armor.
Quote Details
| Topic | Funny Friendship |
|---|---|
| Source | Help us find the source |
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