"So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company"
About this Quote
The line about money is where the romance gets cut with realism. “The money we made went into the company” isn’t a complaint, but it carries the texture of one. It signals a collectivist economy of art: your labor doesn’t buy freedom; it sustains the machine that shaped you. That’s a very specific cultural context, one tied to traditional Chinese performance troupes and, in the mid-20th century, a state-adjacent system where personal ambition is expected to subordinate itself to the group. The “craft” isn’t just technique; it’s discipline, hierarchy, and endurance.
As an actor speaking later, Lone is also subtly staking a claim. He’s telling Western audiences: whatever you think acting is - charisma, luck, branding - I was forged differently. The subtext reads like a credential and a scar at once: I belong to an art form that demanded everything, and I learned to survive inside it.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Lone, John. (2026, January 15). So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company. FixQuotes. https://fixquotes.com/quotes/so-i-lived-at-the-beijing-opera-i-ate-there-i-99852/
Chicago Style
Lone, John. "So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/so-i-lived-at-the-beijing-opera-i-ate-there-i-99852/.
MLA Style (9th ed.)
"So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/so-i-lived-at-the-beijing-opera-i-ate-there-i-99852/. Accessed 16 Feb. 2026.




