Life & Mortality Quote by Jon Crosby

There’s a particular whiplash that only pop culture can deliver: you write a song in private, then years later it’s welded onto someone else’s public moment. Jon Crosby’s line captures that dissociation with almost accidental poetry. He’s not bragging about a placement; he’s describing the mild out-of-body experience of hearing your own work become a soundtrack to Leonardo DiCaprio’s survival scream, a scene engineered for maximum adrenalized catharsis.

The intent is modest, even slightly stunned. “I think it was a good thing” reads like a musician trying to sound normal while processing the unreal. Crosby doesn’t claim authorship over the emotion on screen; he stresses the mismatch between his original headspace and the new meaning the song inherits. That’s the subtext: once a track leaves the studio, it stops belonging to the writer and starts behaving like cultural Velcro, sticking to whatever narrative has the strongest grip.

The mention of DiCaprio isn’t name-dropping as much as it is a shorthand for scale. A song that may have been intimate, moody, or abstract gets repurposed as a big-budget pulse-raiser. Crosby’s “that was the last thing on my mind” pushes back against the myth that artists always anticipate their work’s destiny. It’s a reminder that meaning isn’t authored once; it’s continuously negotiated by editors, directors, audiences, and the blunt force of a memorable scene. That’s why the moment lands: it’s creative control meeting cultural afterlife, and losing gracefully.