"So if I design it and then go away, it's still living somewhere and it still exists by itself without me"
About this Quote
Newson’s line has the cool confidence of someone who’s watched objects outlive the hype cycles that birthed them. He’s talking about design as a kind of self-sustaining organism: you make a thing, release it into the world, and it begins accruing meaning without asking permission from its maker. The subtext is a gentle refusal of the auteur myth. In a culture trained to fetishize the “visionary,” Newson implies the opposite: once a chair, a watch, or an airplane interior hits circulation, authorship gets diluted by use, wear, repair, imitation, resale. The object becomes a participant in other people’s lives, not a pedestal for his.
That’s also why the sentence lands emotionally. It’s an oblique way of describing mortality without saying the word. Designers don’t get the immortality of songs on a playlist or movies in a canon; they get the quiet persistence of stuff: the cracked handle that still fits your hand, the silhouette that becomes a default setting in your brain. “Living somewhere” hints at this afterlife, spatial and social, where the work keeps “existing” through networks of production and consumption that are bigger than one person’s ego.
Context matters: Newson sits at the intersection of museum-grade collectible design and mass manufacturing. The quote doubles as an ethic for that position. If you want an object to survive your absence, it can’t rely on your explanation. It has to hold up on its own: materially, functionally, and aesthetically, even after you’ve left the room.
That’s also why the sentence lands emotionally. It’s an oblique way of describing mortality without saying the word. Designers don’t get the immortality of songs on a playlist or movies in a canon; they get the quiet persistence of stuff: the cracked handle that still fits your hand, the silhouette that becomes a default setting in your brain. “Living somewhere” hints at this afterlife, spatial and social, where the work keeps “existing” through networks of production and consumption that are bigger than one person’s ego.
Context matters: Newson sits at the intersection of museum-grade collectible design and mass manufacturing. The quote doubles as an ethic for that position. If you want an object to survive your absence, it can’t rely on your explanation. It has to hold up on its own: materially, functionally, and aesthetically, even after you’ve left the room.
Quote Details
| Topic | Legacy & Remembrance |
|---|
More Quotes by Marc
Add to List






