"So it's a mistake for someone to think that they bailed New York out. They did assist us, for which we are grateful, but it's a mistake to say we bailed New York out by giving them a grant of money to help those poor people who throw it away on welfare"
About this Quote
Dinkins is doing two things at once: correcting the record and rebuking a moral posture. The line opens with a mild-sounding administrative clarification, but it quickly reveals itself as a fight over narrative power - who gets to cast themselves as savior, and who gets stuck playing the irresponsible dependent.
The key move is his surgical separation of "assist" from "bail out". "Assist" implies partnership, a shared civic project; "bail out" carries the sting of rescue after self-inflicted failure. Dinkins concedes gratitude to disarm critics, then pivots: the real "mistake" is less the bookkeeping than the smug story attached to it. By quoting the caricature - "those poor people who throw it away on welfare" - he exposes the contempt baked into the claim. It's not just about money; it's about a certain kind of politics that needs the city, and especially its poor, to be morally suspect so that the giver can feel virtuous and entitled.
Context matters: late-1980s and early-1990s New York was being narrativized as both crime-ridden and financially chaotic, while "welfare" had become a national dog whistle. As the city's first Black mayor, Dinkins was also governing under a microscope where urban spending could be coded as racialized indulgence. His sentence functions as a counterframe: yes, resources came in, but don't launder resentment through generosity. The grant isn't a sermon. The people receiving help aren't props in someone else's redemption story.
The key move is his surgical separation of "assist" from "bail out". "Assist" implies partnership, a shared civic project; "bail out" carries the sting of rescue after self-inflicted failure. Dinkins concedes gratitude to disarm critics, then pivots: the real "mistake" is less the bookkeeping than the smug story attached to it. By quoting the caricature - "those poor people who throw it away on welfare" - he exposes the contempt baked into the claim. It's not just about money; it's about a certain kind of politics that needs the city, and especially its poor, to be morally suspect so that the giver can feel virtuous and entitled.
Context matters: late-1980s and early-1990s New York was being narrativized as both crime-ridden and financially chaotic, while "welfare" had become a national dog whistle. As the city's first Black mayor, Dinkins was also governing under a microscope where urban spending could be coded as racialized indulgence. His sentence functions as a counterframe: yes, resources came in, but don't launder resentment through generosity. The grant isn't a sermon. The people receiving help aren't props in someone else's redemption story.
Quote Details
| Topic | Money |
|---|---|
| Source | Help us find the source |
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