"So that is how I ended up with those two titles, I like Accidentally on Purpose better - it is how we work in our trade - is it really an accident, or is there a thread of destiny in there? That was the intention, I am not sure I found out"
About this Quote
Accidentally on Purpose is the kind of phrase actors love because it flatters the chaos without denying the craft. Michael York is talking about titles, but he is really talking about career mythology: the story performers tell to make a life built on auditions, lucky breaks, and other people’s decisions feel coherent. “In our trade” lands with a wink. Acting is an industry that sells intention for a living; you’re paid to make choices look inevitable, even when they’re stitched together from circumstance.
York’s rhetorical move is a neat loop of control and surrender. He rejects the plain “accident” in favor of a paradox that sounds like a directing note: be spontaneous, but hit your mark. Then he opens the bigger question - destiny - as both temptation and trap. If everything is fated, the ego gets to relax. If everything is accidental, the ego gets to brag about surviving. “Thread of destiny” splits the difference: there may be a pattern, but it’s not readable in real time.
The last turn is the most honest and, quietly, the most actorly: “That was the intention, I am not sure I found out.” It admits that even our best narratives are provisional. We set out to solve ourselves - with memoirs, with roles, with tidy titles - and discover the plot won’t close. The uncertainty isn’t failure; it’s the point. York frames a life in performance as ongoing rehearsal, where meaning is always almost there, just offstage.
York’s rhetorical move is a neat loop of control and surrender. He rejects the plain “accident” in favor of a paradox that sounds like a directing note: be spontaneous, but hit your mark. Then he opens the bigger question - destiny - as both temptation and trap. If everything is fated, the ego gets to relax. If everything is accidental, the ego gets to brag about surviving. “Thread of destiny” splits the difference: there may be a pattern, but it’s not readable in real time.
The last turn is the most honest and, quietly, the most actorly: “That was the intention, I am not sure I found out.” It admits that even our best narratives are provisional. We set out to solve ourselves - with memoirs, with roles, with tidy titles - and discover the plot won’t close. The uncertainty isn’t failure; it’s the point. York frames a life in performance as ongoing rehearsal, where meaning is always almost there, just offstage.
Quote Details
| Topic | Free Will & Fate |
|---|---|
| Source | Help us find the source |
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