"So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things"
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There is a weary honesty to Yorke admitting what so many pop-era mythologies deny: the artist is not a lone genius operating above the noise, but a worker inside a machine that decides what gets heard, seen, and paid for. The key word is "idealistic" - not "wrong", not "naive", but a kind of well-meaning self-deception. Yorke is puncturing the romantic fantasy that creativity can simply opt out of infrastructure, as if you can release a record into the world without touching the pipes that carry it.
The subtext is complicity. "Step away from the power of the media" frames media less as a neutral channel and more as an organizing force, one that "controls things" in ways that feel both diffuse and absolute: algorithms, gatekeepers, narratives, outrage cycles, platform incentives. Artists don't just get covered by media; they're shaped by it. Even resistance gets packaged as a brand, a story, content.
Context matters because Yorke comes from a band that has tried to route around the system: surprise releases, alternative distribution, public skepticism toward corporate tech. That history makes the line land harder. It's not a cynical shrug; it's a reluctant concession from someone who has tested the exits. The intent is to warn against purity politics in art - the demand to be untouched, unbought, unmediated. Yorke isn't asking artists to surrender; he's arguing for clarity. If you don't name the forces you're swimming in, you end up calling your drift "independence" and your marketing "authenticity."
The subtext is complicity. "Step away from the power of the media" frames media less as a neutral channel and more as an organizing force, one that "controls things" in ways that feel both diffuse and absolute: algorithms, gatekeepers, narratives, outrage cycles, platform incentives. Artists don't just get covered by media; they're shaped by it. Even resistance gets packaged as a brand, a story, content.
Context matters because Yorke comes from a band that has tried to route around the system: surprise releases, alternative distribution, public skepticism toward corporate tech. That history makes the line land harder. It's not a cynical shrug; it's a reluctant concession from someone who has tested the exits. The intent is to warn against purity politics in art - the demand to be untouched, unbought, unmediated. Yorke isn't asking artists to surrender; he's arguing for clarity. If you don't name the forces you're swimming in, you end up calling your drift "independence" and your marketing "authenticity."
Quote Details
| Topic | Art |
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