"So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out"
About this Quote
Ed O'Brien is quietly calling time on the treadmill that used to define rock stardom: the industry’s neat little metronome of album, tour, repeat. The line lands because it’s framed as a practical scheduling choice, but the subtext is a power grab - and a sanity grab. “Traditional” is doing a lot of work here: it implies an old contract between bands, labels, promoters, and fans, where recorded music functions less as art than as a touring advertisement, a reason to sell tickets and keep the machine fed.
What makes the quote culturally sharp is its timing. In the streaming era, albums don’t dominate attention the way they once did; they arrive into a constant churn of playlists, singles, and algorithmic discovery. Touring, meanwhile, has become both the most reliable revenue stream and the most punishing one, with inflation, logistics, and burnout baked into the routing. When O’Brien says “when we want to,” he’s not just describing artistic freedom. He’s rejecting the idea that musicians must be perpetually available, perpetually productive, perpetually monetizable.
There’s also a relationship-to-fans recalibration. “Regardless of whether we’ve got a record out” severs the expectation that audiences need a new product to justify a live experience. It treats the concert less like a promotional endpoint and more like its own event - a communal ritual that can exist without a release cycle’s permission slip. In an economy that rewards constant output, choosing desire over demand is the real rebellion.
What makes the quote culturally sharp is its timing. In the streaming era, albums don’t dominate attention the way they once did; they arrive into a constant churn of playlists, singles, and algorithmic discovery. Touring, meanwhile, has become both the most reliable revenue stream and the most punishing one, with inflation, logistics, and burnout baked into the routing. When O’Brien says “when we want to,” he’s not just describing artistic freedom. He’s rejecting the idea that musicians must be perpetually available, perpetually productive, perpetually monetizable.
There’s also a relationship-to-fans recalibration. “Regardless of whether we’ve got a record out” severs the expectation that audiences need a new product to justify a live experience. It treats the concert less like a promotional endpoint and more like its own event - a communal ritual that can exist without a release cycle’s permission slip. In an economy that rewards constant output, choosing desire over demand is the real rebellion.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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