"So: we're all tired. Now what? Manuscripts written in Club Med?"
About this Quote
Weariness is the premise, not the punchline. Ferneyhough tosses off "So: we're all tired. Now what?" with the brisk impatience of someone who’s heard one too many alibis dressed up as cultural critique. The coloned "So" reads like a rehearsal cue: okay, we’ve established the mood. Get on with it. In new-music circles, fatigue can become a fashion statement: composers burned out by institutions, audiences exhausted by difficulty, everyone citing overload as a reason to lower stakes. Ferneyhough, long tagged the high priest of "New Complexity", doesn’t romanticize that exhaustion; he treats it as baseline modern condition. The real target is what people do with it.
"Manuscripts written in Club Med?" is the jab: the fantasy of art made in a frictionless resort, creativity as leisure product. Club Med stands in for the broader 1990s-and-after shift toward comfort as a cultural value - lifestyle branding, wellness rhetoric, the idea that difficulty is a design flaw. Ferneyhough’s wit is barbed because it draws a line between tiredness and entitlement. Sure, we’re drained. But do we want the work to meet us at our most pampered?
The subtext is an ethics of attention: composition (and listening) as labor that can’t be outsourced to a vibe. His sarcasm flips the usual complaint - that his music is too demanding - into a challenge: if the world is exhausting, maybe the honest response isn’t sedation, but precision, resistance, and craft that refuses to pretend the hard parts aren’t there.
"Manuscripts written in Club Med?" is the jab: the fantasy of art made in a frictionless resort, creativity as leisure product. Club Med stands in for the broader 1990s-and-after shift toward comfort as a cultural value - lifestyle branding, wellness rhetoric, the idea that difficulty is a design flaw. Ferneyhough’s wit is barbed because it draws a line between tiredness and entitlement. Sure, we’re drained. But do we want the work to meet us at our most pampered?
The subtext is an ethics of attention: composition (and listening) as labor that can’t be outsourced to a vibe. His sarcasm flips the usual complaint - that his music is too demanding - into a challenge: if the world is exhausting, maybe the honest response isn’t sedation, but precision, resistance, and craft that refuses to pretend the hard parts aren’t there.
Quote Details
| Topic | Witty One-Liners |
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