"So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!"
About this Quote
There is a whole micro-politics of creativity packed into Sherwood's offhand brag: time is power, and the person who owns the room owns the rhythm. On the surface, he is talking about logistics - a studio session that would normally end at 10 can stretch to 2 a.m. because "it's my place". Underneath, he is quietly rewriting the usual hierarchy of recording. Studios typically dictate the pace through hard rules: union hours, lockouts, the meter running. Sherwood flips that. He turns what is usually an external constraint into an internal choice, positioning himself not just as a musician-for-hire but as a gatekeeper of momentum.
The intent is practical and promotional at once. He's selling a specific kind of creative freedom to bands: you won't get rushed here. But the subtext is also about leverage. If you're invited into his space, you're on his clock, his vibe, his schedule. The friendliness of "we could go on" masks a subtle asymmetry: the invitation carries an expectation of stamina, and maybe of deference. Late-night studio culture has always romanticized the 2 a.m. breakthrough; Sherwood taps that mythology while pointing out the unglamorous truth that breakthroughs often require access - to rooms, gear, and time.
Context matters because Sherwood comes from progressive rock, a genre obsessed with extended forms and obsessive detail. His line isn’t just a flex about real estate. It’s a statement about building a private infrastructure so art doesn’t have to negotiate with someone else’s closing time.
The intent is practical and promotional at once. He's selling a specific kind of creative freedom to bands: you won't get rushed here. But the subtext is also about leverage. If you're invited into his space, you're on his clock, his vibe, his schedule. The friendliness of "we could go on" masks a subtle asymmetry: the invitation carries an expectation of stamina, and maybe of deference. Late-night studio culture has always romanticized the 2 a.m. breakthrough; Sherwood taps that mythology while pointing out the unglamorous truth that breakthroughs often require access - to rooms, gear, and time.
Context matters because Sherwood comes from progressive rock, a genre obsessed with extended forms and obsessive detail. His line isn’t just a flex about real estate. It’s a statement about building a private infrastructure so art doesn’t have to negotiate with someone else’s closing time.
Quote Details
| Topic | Music |
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