"So when I looked at pictures and produced my calendar and edited the pictures, it wasn't just about looking at myself and thinking I'm attractive. I try to take myself out of it and get into the whole process of putting it all together"
About this Quote
Burke is doing a quiet bit of damage control here, and it’s more culturally savvy than it sounds. A model selling a calendar is expected to project confidence, maybe even vanity; the market practically demands it. But she reframes the act from self-admiration to authorship. The pivot is in the verbs: “produced,” “edited,” “process,” “putting it all together.” She’s not the object in front of the camera so much as the person behind the product.
The intent is pragmatic: reclaim credibility in a space that treats women’s bodies as both commodity and confession. By insisting it “wasn’t just about looking at myself,” she anticipates the knee-jerk read that any self-display by a woman is narcissism. The subtext is sharper: if you want to criticize her for selling an image, you have to contend with the fact that she’s curating, managing, and constructing that image. That’s agency talk, but pitched in accessible terms rather than activist language.
Context matters: celebrity calendars sit at the intersection of glamour, soft-core branding, and fan service, and they’re easy to dismiss as shallow. Burke counters that dismissal by emphasizing labor and craft. She’s also making a bid to be seen as a professional, not merely a body. In a culture that rewards women for visibility and punishes them for seeming to want it, “I try to take myself out of it” becomes a defensive maneuver and a claim to legitimacy at once.
The intent is pragmatic: reclaim credibility in a space that treats women’s bodies as both commodity and confession. By insisting it “wasn’t just about looking at myself,” she anticipates the knee-jerk read that any self-display by a woman is narcissism. The subtext is sharper: if you want to criticize her for selling an image, you have to contend with the fact that she’s curating, managing, and constructing that image. That’s agency talk, but pitched in accessible terms rather than activist language.
Context matters: celebrity calendars sit at the intersection of glamour, soft-core branding, and fan service, and they’re easy to dismiss as shallow. Burke counters that dismissal by emphasizing labor and craft. She’s also making a bid to be seen as a professional, not merely a body. In a culture that rewards women for visibility and punishes them for seeming to want it, “I try to take myself out of it” becomes a defensive maneuver and a claim to legitimacy at once.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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