"So, you pick this stuff here and this stuff there and then you see things in certain ways and you start visualizing and thank God I get the chance to do this. It's really the greatest thing in the whole wide world"
About this Quote
The charming messiness of Danny DeVito's phrasing is the point: creativity, in his telling, isn’t a lightning bolt of genius so much as a scavenger hunt. “You pick this stuff here and this stuff there” sounds like a kid piling odd treasures into a shoebox, and it quietly demystifies the artistic process. Acting, directing, producing - it’s all collage. You absorb gestures, voices, pain, jokes, street textures, then your mind “starts visualizing” and suddenly there’s a character, a scene, a world.
That everyday language also signals how DeVito wants to be read culturally: not as a Remote Great Artist, but as a working performer who stays in touch with the tactile pleasures of making things. The repeated “stuff” refuses pretension. It’s anti-auteur talk from someone who’s nevertheless built an auteur-like career of outsized, specific characters. The subtext is almost political in its humility: imagination isn’t a private luxury; it’s a practice you earn through attention, collaboration, and persistence.
Then he lands on gratitude - “thank God” - not as piety, but as an acknowledgement of contingency. In an industry that runs on luck, access, and gatekeeping, “I get the chance” is a small, sharp reminder that talent doesn’t automatically equal opportunity. Calling it “the greatest thing in the whole wide world” is unabashed, even corny, but it works because it’s earned joy: the kind that comes from someone who’s been around long enough to know the job is absurd, fragile, and still, somehow, miraculous.
That everyday language also signals how DeVito wants to be read culturally: not as a Remote Great Artist, but as a working performer who stays in touch with the tactile pleasures of making things. The repeated “stuff” refuses pretension. It’s anti-auteur talk from someone who’s nevertheless built an auteur-like career of outsized, specific characters. The subtext is almost political in its humility: imagination isn’t a private luxury; it’s a practice you earn through attention, collaboration, and persistence.
Then he lands on gratitude - “thank God” - not as piety, but as an acknowledgement of contingency. In an industry that runs on luck, access, and gatekeeping, “I get the chance” is a small, sharp reminder that talent doesn’t automatically equal opportunity. Calling it “the greatest thing in the whole wide world” is unabashed, even corny, but it works because it’s earned joy: the kind that comes from someone who’s been around long enough to know the job is absurd, fragile, and still, somehow, miraculous.
Quote Details
| Topic | Gratitude |
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