"Some other faculty than the intellect is necessary for the apprehension of reality"
About this Quote
Bergson’s line is a polite provocation aimed at the early-20th-century cult of brainpower: the belief that if you sharpen the intellect enough, reality will lie still long enough to be measured. He’s arguing the opposite. Intellect, for Bergson, is a tool built for handling objects, not for inhabiting experience. It cuts the world into usable chunks, labels them, and calls that knowledge. Useful, yes; faithful, not always.
The “other faculty” does a lot of work here. He doesn’t name it because naming would immediately drag it back into the intellect’s grid. In Bergson’s vocabulary, that faculty is intuition: a mode of knowing that doesn’t stand outside life and analyze it, but enters it and tracks its movement from within. The subtext is a critique of modernity’s managerial impulse, the way science-and-bureaucracy thinking turns time into a timeline, consciousness into data, and change into a sequence of snapshots. Reality, for Bergson, is duration: continuous, qualitative, more like music than machinery. The intellect hears only notes; intuition hears the melody.
Context matters. Bergson is writing in a France intoxicated by scientific prestige and industrial speed, when psychology, physics, and evolutionary theory were remaking what counted as “real.” His move isn’t anti-science; it’s anti-reduction. He’s warning that a mind trained only to calculate will mistake its map for the terrain, then declare the terrain an illusion when it refuses to sit still.
The “other faculty” does a lot of work here. He doesn’t name it because naming would immediately drag it back into the intellect’s grid. In Bergson’s vocabulary, that faculty is intuition: a mode of knowing that doesn’t stand outside life and analyze it, but enters it and tracks its movement from within. The subtext is a critique of modernity’s managerial impulse, the way science-and-bureaucracy thinking turns time into a timeline, consciousness into data, and change into a sequence of snapshots. Reality, for Bergson, is duration: continuous, qualitative, more like music than machinery. The intellect hears only notes; intuition hears the melody.
Context matters. Bergson is writing in a France intoxicated by scientific prestige and industrial speed, when psychology, physics, and evolutionary theory were remaking what counted as “real.” His move isn’t anti-science; it’s anti-reduction. He’s warning that a mind trained only to calculate will mistake its map for the terrain, then declare the terrain an illusion when it refuses to sit still.
Quote Details
| Topic | Truth |
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