"Some people turn from God because they cannot understand how a good God can permit evil in the world"
About this Quote
Faith doesn’t usually break on the idea of God; it breaks on the optics. Walter Lang frames doubt as a moral recoil: people “turn” not out of boredom or rebellion, but because the world’s cruelty makes divine goodness feel like bad storytelling. As a film director, Lang understood the audience’s bargain with a narrative. Viewers will accept almost anything if the internal logic holds. Evil that goes unanswered, unpunished, or unexplained reads less like mystery and more like a script cheat. The quote is essentially a critique of theodicy as a PR problem: if God is both good and powerful, why does the camera linger on suffering?
The intent isn’t to scold skeptics; it’s to diagnose a specific kind of unbelief that’s driven by conscience. “Cannot understand” matters here. Lang implies the rupture is intellectual, but the subtext is emotional: grief dressing itself as philosophy. People don’t ask abstract questions about evil when life is going fine; they ask after loss, injustice, war. Lang’s lifetime spans two world wars and the Great Depression, eras that made “a good God” sound, to many, like an insult layered onto tragedy.
There’s also a quiet defense of belief embedded in the sentence. By locating disbelief in the limits of human understanding, Lang leaves room for faith as an act of endurance rather than certainty. It’s a director’s move: the scene is unbearable, the plot unresolved, but you keep watching because you suspect meaning exists off-screen.
The intent isn’t to scold skeptics; it’s to diagnose a specific kind of unbelief that’s driven by conscience. “Cannot understand” matters here. Lang implies the rupture is intellectual, but the subtext is emotional: grief dressing itself as philosophy. People don’t ask abstract questions about evil when life is going fine; they ask after loss, injustice, war. Lang’s lifetime spans two world wars and the Great Depression, eras that made “a good God” sound, to many, like an insult layered onto tragedy.
There’s also a quiet defense of belief embedded in the sentence. By locating disbelief in the limits of human understanding, Lang leaves room for faith as an act of endurance rather than certainty. It’s a director’s move: the scene is unbearable, the plot unresolved, but you keep watching because you suspect meaning exists off-screen.
Quote Details
| Topic | God |
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