"Somebody must show that the Afro-American race is more sinned against than sinning, and it seems to have fallen upon me to do so"
About this Quote
The line reads like a reluctant summons, not a self-congratulating mission statement. Wells frames her work as something that "fell upon" her, a turn of phrase that strips the crusade of romance and replaces it with burden and necessity. In the Jim Crow era, when lynching was routinely justified as community "justice" for alleged Black criminality, this sentence targets the propaganda engine itself: the story that Black people are inherently dangerous and therefore deserve what they get.
"More sinned against than sinning" is a deliberately moral register, but it is also tactical. Wells isn’t asking for sympathy; she’s indicting a system that dresses violence up as virtue. By using the language of sin, she forces white Christian America to see lynching not as rough frontier order but as a civic and spiritual crime. The subtext is blunt: the real lawlessness is not Black behavior but white impunity.
The word choice "Afro-American race" also matters. It insists on collective fate in a moment when Black lives were being atomized into "bad individuals" to make terror seem deserved. Wells counters that with a counter-narrative built from receipts: data, reporting, named victims, and the exposure of sexual and economic motives behind lynch mobs. The intent isn’t merely to defend; it’s to flip the courtroom. She appoints herself prosecutor because the state won’t, and because the dominant press often functioned as accomplice.
"More sinned against than sinning" is a deliberately moral register, but it is also tactical. Wells isn’t asking for sympathy; she’s indicting a system that dresses violence up as virtue. By using the language of sin, she forces white Christian America to see lynching not as rough frontier order but as a civic and spiritual crime. The subtext is blunt: the real lawlessness is not Black behavior but white impunity.
The word choice "Afro-American race" also matters. It insists on collective fate in a moment when Black lives were being atomized into "bad individuals" to make terror seem deserved. Wells counters that with a counter-narrative built from receipts: data, reporting, named victims, and the exposure of sexual and economic motives behind lynch mobs. The intent isn’t merely to defend; it’s to flip the courtroom. She appoints herself prosecutor because the state won’t, and because the dominant press often functioned as accomplice.
Quote Details
| Topic | Justice |
|---|---|
| Source | Help us find the source |
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