"Somebody said us artists have trouble with success because art is derived from struggle. I disagree with that, because truely doing your art is success, whether you make money from it or not"
About this Quote
Joe Murray swings a quiet wrecking ball at one of the most stubborn myths in creative culture: the idea that real art has to be forged in pain, and that comfort is a kind of aesthetic betrayal. He sets it up like a rumor overheard in the industry - “Somebody said” - then refuses the script. That opening matters. It frames the “struggle” doctrine as received wisdom, something artists are expected to nod along to, especially once money enters the room.
The subtext is a defense against a double bind creatives know too well. If you succeed financially, you’re accused of dilution; if you don’t, you’re romanticized as “authentic.” Murray’s rebuttal sidesteps both traps by redefining success as process rather than outcome: “truely doing your art” isn’t the prize at the end, it’s the act itself. That’s not naive optimism; it’s a boundary. It tells gatekeepers, algorithms, and prestige economies that they don’t get final say over whether your work “counts.”
Contextually, coming from a working artist with a long career, it reads like hard-earned clarity rather than motivational poster copy. “Whether you make money from it or not” acknowledges the reality of rent without letting commerce become the moral scoreboard. Murray isn’t denying struggle’s presence; he’s rejecting struggle as the credential. The real flex here is autonomy: if you can keep making the work on your own terms, you’ve already won.
The subtext is a defense against a double bind creatives know too well. If you succeed financially, you’re accused of dilution; if you don’t, you’re romanticized as “authentic.” Murray’s rebuttal sidesteps both traps by redefining success as process rather than outcome: “truely doing your art” isn’t the prize at the end, it’s the act itself. That’s not naive optimism; it’s a boundary. It tells gatekeepers, algorithms, and prestige economies that they don’t get final say over whether your work “counts.”
Contextually, coming from a working artist with a long career, it reads like hard-earned clarity rather than motivational poster copy. “Whether you make money from it or not” acknowledges the reality of rent without letting commerce become the moral scoreboard. Murray isn’t denying struggle’s presence; he’s rejecting struggle as the credential. The real flex here is autonomy: if you can keep making the work on your own terms, you’ve already won.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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