"Somehow he became certain the he himself possessed the skills of a hypnotist. How he reached this judgement, I have no idea, but never convinced the rest of us"
About this Quote
It lands because it refuses the dignity of a full takedown. Meadows doesn’t bother to argue with the man’s delusion; she just frames it as an odd weather event: “Somehow he became certain.” That “somehow” is doing all the work, a polite little shrug that suggests the truth is too embarrassing (or too tedious) to excavate. The next line tightens the knife: “How he reached this judgement, I have no idea.” Not “conclusion,” but “judgement” - a word that hints at vanity and self-mythmaking rather than evidence.
Then comes the killer: “but never convinced the rest of us.” The sentence pivots from his private fantasy to the social reality that matters: belief is a group project. Hypnosis, as a concept, is already about influence and surrender; Meadows flips it into a story about resistance. The man wants the glamorous power of being able to bend people. The room answers with the oldest, simplest weapon: doubt.
As an actress - someone professionally attuned to performance, charisma, and audience consent - Meadows sounds like she’s clocking a type: the amateur mesmerist who confuses confidence for ability and attention for authority. The subtext is workplace and social dynamics: men inventing a talent out of ego, everyone else politely declining to play along. It’s funny because it’s familiar, and sharper because it’s narrated like an anecdote, not a crusade. She doesn’t expose him; she deprives him of the one thing he needs to “hypnotize” anyone - the crowd’s agreement.
Then comes the killer: “but never convinced the rest of us.” The sentence pivots from his private fantasy to the social reality that matters: belief is a group project. Hypnosis, as a concept, is already about influence and surrender; Meadows flips it into a story about resistance. The man wants the glamorous power of being able to bend people. The room answers with the oldest, simplest weapon: doubt.
As an actress - someone professionally attuned to performance, charisma, and audience consent - Meadows sounds like she’s clocking a type: the amateur mesmerist who confuses confidence for ability and attention for authority. The subtext is workplace and social dynamics: men inventing a talent out of ego, everyone else politely declining to play along. It’s funny because it’s familiar, and sharper because it’s narrated like an anecdote, not a crusade. She doesn’t expose him; she deprives him of the one thing he needs to “hypnotize” anyone - the crowd’s agreement.
Quote Details
| Topic | Sarcastic |
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