"Someone who wants to write should make an effort to write a little something every day. Writing in this sense is the same as athletes who practice a sport every day to keep their skills honed"
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Desai’s advice is almost disarmingly practical: treat writing less like a lightning bolt and more like conditioning. The athlete comparison does more than offer a tidy metaphor. It quietly drags writing down from the pedestal where it’s often parked - talent, genius, inspiration - and puts it on the track with sweat, repetition, and unglamorous drills. That’s the intent: to demystify the work without diminishing it.
The subtext is a rebuttal to a very literary form of procrastination: waiting for the “right” mood, the perfect sentence, the big idea worthy of starting. Desai implies that the real enemy isn’t bad writing; it’s rust. “A little something every day” lowers the stakes on purpose. It’s not a command to produce masterpieces daily, but to maintain contact with the instrument - language, observation, rhythm - so it doesn’t go cold. In that sense, her line is also a subtle defense of process over performance, craft over identity. You’re not a writer because you feel like one; you become one by practicing the behavior.
Context matters: Desai comes from a tradition where interiority, atmosphere, and psychological precision are built sentence by sentence. That kind of prose isn’t “found”; it’s trained. Framing writing as a daily practice also pushes back against romantic myths that can be especially punishing for emerging writers, who may interpret struggle as proof they’re impostors. Desai’s point is tougher, and kinder: struggle is the workout.
The subtext is a rebuttal to a very literary form of procrastination: waiting for the “right” mood, the perfect sentence, the big idea worthy of starting. Desai implies that the real enemy isn’t bad writing; it’s rust. “A little something every day” lowers the stakes on purpose. It’s not a command to produce masterpieces daily, but to maintain contact with the instrument - language, observation, rhythm - so it doesn’t go cold. In that sense, her line is also a subtle defense of process over performance, craft over identity. You’re not a writer because you feel like one; you become one by practicing the behavior.
Context matters: Desai comes from a tradition where interiority, atmosphere, and psychological precision are built sentence by sentence. That kind of prose isn’t “found”; it’s trained. Framing writing as a daily practice also pushes back against romantic myths that can be especially punishing for emerging writers, who may interpret struggle as proof they’re impostors. Desai’s point is tougher, and kinder: struggle is the workout.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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