"Something about Texas I'm not proud of is that our state murdered 37 people last year alone"
About this Quote
Linklater’s line lands like a thrown brick because it yanks “Texas pride” out of its usual safe habitat: football, barbecue, swagger, myth. He takes the warm, communal “I’m not proud of” and bolts it to a cold statistic, forcing the listener to feel the collision between identity-as-brand and identity-as-government. The phrasing matters. He doesn’t say “Texas executed 37 people.” He says “our state murdered 37 people,” swapping the bureaucratic verb for a moral one. That choice is the whole argument: when the state kills, it doesn’t get to hide behind procedure.
The specific intent isn’t just condemnation of the death penalty; it’s a refusal of complicity-by-silence. “Our” implicates the speaker and the audience alike, especially coming from a beloved Texas artist whose work often romanticizes place through conversation, adolescence, and everyday intimacy. In that light, the quote reads as an uncomfortable act of hometown criticism: if you’re going to claim Texas when it flatters you, you can’t disown it when it harms.
The subtext is also about storytelling power. Texas has long curated itself as exceptional and tough; executions fit that self-image as “law and order,” a kind of ritualized certainty. Linklater punctures that narrative by reframing the same act as murder - not because he’s confused about legality, but because he’s calling out the ethical laundering that legality can provide.
Contextually, Texas has been a national outlier in executions for decades, and artists who speak from inside the mythology carry special leverage. He’s leveraging it, and taking the heat that comes with it.
The specific intent isn’t just condemnation of the death penalty; it’s a refusal of complicity-by-silence. “Our” implicates the speaker and the audience alike, especially coming from a beloved Texas artist whose work often romanticizes place through conversation, adolescence, and everyday intimacy. In that light, the quote reads as an uncomfortable act of hometown criticism: if you’re going to claim Texas when it flatters you, you can’t disown it when it harms.
The subtext is also about storytelling power. Texas has long curated itself as exceptional and tough; executions fit that self-image as “law and order,” a kind of ritualized certainty. Linklater punctures that narrative by reframing the same act as murder - not because he’s confused about legality, but because he’s calling out the ethical laundering that legality can provide.
Contextually, Texas has been a national outlier in executions for decades, and artists who speak from inside the mythology carry special leverage. He’s leveraging it, and taking the heat that comes with it.
Quote Details
| Topic | Human Rights |
|---|---|
| Source | Help us find the source |
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