"Sometimes I think that the biggest difference between men and women is that more men need to seek out some terrible lurking thing in existence and hurl themselves upon it. Women know where it lives but they can let it alone"
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Hoban’s line skewers a familiar masculinity myth without quite letting women off the hook, and that balance is why it lands. “Sometimes I think” isn’t coy modesty; it’s a way of smuggling in a sharp generalization while keeping the voice human, fallible, observant. Then he frames gender difference not as essence but as appetite: men “need” a specific ritual, the compulsive audition for danger. The phrasing is almost comic-book visceral - “terrible lurking thing,” “hurl themselves upon it” - which quietly mocks the melodrama of self-made heroism. Men aren’t merely brave here; they’re dramaturges, manufacturing a monster so they can perform courage at it.
The women in Hoban’s sentence are written with a cooler, unsentimental intelligence. They “know where it lives,” suggesting an intimate, practical map of threat: social risk, domestic violence, the everyday costs men can afford to romanticize. The sting is in the second clause: “but they can let it alone.” That “can” implies both restraint and necessity. It reads less like innate serenity than learned triage - knowing which battles are winnable, which are performative, and which will simply swallow you.
Contextually, this feels like Hoban the novelist talking: less doctrine than character insight, the kind that comes from watching people orbit their private monsters. The subtext is existential as much as gendered: some people chase the dark to prove they exist; others survive by refusing to make the dark the center of the story.
The women in Hoban’s sentence are written with a cooler, unsentimental intelligence. They “know where it lives,” suggesting an intimate, practical map of threat: social risk, domestic violence, the everyday costs men can afford to romanticize. The sting is in the second clause: “but they can let it alone.” That “can” implies both restraint and necessity. It reads less like innate serenity than learned triage - knowing which battles are winnable, which are performative, and which will simply swallow you.
Contextually, this feels like Hoban the novelist talking: less doctrine than character insight, the kind that comes from watching people orbit their private monsters. The subtext is existential as much as gendered: some people chase the dark to prove they exist; others survive by refusing to make the dark the center of the story.
Quote Details
| Topic | Deep |
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