"Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style"
About this Quote
The subtext is tension between artistic curiosity and brand discipline. Dekker frames Kong’s refusal as taste (“it wasn’t right”) and authenticity (“it wasn’t my style”), but those categories aren’t neutral. They’re the language of an industry trying to keep a singer legible to radio programmers, sound systems, and overseas listeners just as ska turns to rocksteady and then reggae. In that churn, a distinctive voice is currency.
What makes the quote work is its restraint. Dekker doesn’t posture as wronged, and he doesn’t romanticize genius arriving fully formed. He lets us see “style” as a collaboration with friction: an artist reaching outward, a producer insisting on coherence. The irony is that the boundary that frustrates him is also what helped crystallize “Desmond Dekker” as a sound the world could recognize.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Dekker, Desmond. (2026, January 17). Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style. FixQuotes. https://fixquotes.com/quotes/sometimes-id-hear-things-on-other-peoples-records-55879/
Chicago Style
Dekker, Desmond. "Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/sometimes-id-hear-things-on-other-peoples-records-55879/.
MLA Style (9th ed.)
"Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/sometimes-id-hear-things-on-other-peoples-records-55879/. Accessed 27 Feb. 2026.





