"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better"
About this Quote
Deadpan honesty like this is almost a lost art in the modern press cycle, where every project is either a “dream” or a “masterpiece” until the reviews land. Rod Steiger’s line works because it refuses the two things actors are trained to provide on command: loyalty and narrative. “Sometimes it’s great, sometimes it’s bad” isn’t insight so much as a shrug made articulate, a mini-rebellion against the expectation that celebrities perform certainty. The bluntness lands with extra force precisely because it’s so unadorned; there’s no witty takedown, no strategic compliment sandwich, no hedging through vague gratitude.
The second sentence tightens the screw. “I think the film could have been a lot better” is a polite phrase that carries a harsher subtext: it wasn’t up to standard, and he’s not interested in pretending otherwise. Coming from Steiger - an actor associated with intensity and craft, not just brand management - it reads as a defense of professionalism. He’s signaling that the work matters more than the promotional script.
Contextually, this feels like an actor speaking from inside the machinery: you can do your part well and still watch the final cut become something compromised by studio notes, uneven direction, rushed schedules, or miscasting. Steiger’s real message isn’t “the movie is bad.” It’s: movies are messy, collaboration is fallible, and I’m not going to lie to protect the myth. That candor, modest as it sounds, is its own kind of performance - the kind that restores a little trust by risking mild disloyalty.
The second sentence tightens the screw. “I think the film could have been a lot better” is a polite phrase that carries a harsher subtext: it wasn’t up to standard, and he’s not interested in pretending otherwise. Coming from Steiger - an actor associated with intensity and craft, not just brand management - it reads as a defense of professionalism. He’s signaling that the work matters more than the promotional script.
Contextually, this feels like an actor speaking from inside the machinery: you can do your part well and still watch the final cut become something compromised by studio notes, uneven direction, rushed schedules, or miscasting. Steiger’s real message isn’t “the movie is bad.” It’s: movies are messy, collaboration is fallible, and I’m not going to lie to protect the myth. That candor, modest as it sounds, is its own kind of performance - the kind that restores a little trust by risking mild disloyalty.
Quote Details
| Topic | Movie |
|---|
More Quotes by Rod
Add to List

