"Sometimes, surely, truth is closer to imagination or to intelligence, to love than to fact? To be accurate is not to be right"
About this Quote
Hazzard is needling the modern faith that if you can verify something, you’ve settled it. The first sentence tilts the playing field: she pairs "truth" not with evidence but with imagination, intelligence, love - faculties we tend to treat as suspicious because they can’t be audited. It’s a novelist’s provocation, but also a moral one. She’s arguing that reality is not exhausted by the measurable; the deepest accuracies often arrive through interpretation, empathy, and pattern-recognition, not through inventory.
The rhetorical move is sly. "Sometimes, surely" is both modest and impatient: a polite throat-clear that also dares you to disagree without sounding thick. Then comes the hinge: "closer". She’s not claiming imagination is truer than fact; she’s claiming facts can be the wrong neighborhood. A person can report every detail of a scene and still miss the story, the motive, the human weather. Think of how bureaucracy, journalism, and even memory can become fixated on correct particulars while committing larger distortions - the kind that flatten suffering, excuse cruelty, or mistake procedure for justice.
"To be accurate is not to be right" lands like a courtroom warning. Accuracy is a technical virtue; rightness is an ethical and intellectual one. In Hazzard’s world - shaped by war, diplomacy, and the long afterlife of political lies - the danger isn’t fantasy. It’s meticulous, self-satisfied correctness deployed to evade responsibility. The line defends art’s special jurisdiction: not to fabricate, but to reach a truth that facts alone can’t guarantee.
The rhetorical move is sly. "Sometimes, surely" is both modest and impatient: a polite throat-clear that also dares you to disagree without sounding thick. Then comes the hinge: "closer". She’s not claiming imagination is truer than fact; she’s claiming facts can be the wrong neighborhood. A person can report every detail of a scene and still miss the story, the motive, the human weather. Think of how bureaucracy, journalism, and even memory can become fixated on correct particulars while committing larger distortions - the kind that flatten suffering, excuse cruelty, or mistake procedure for justice.
"To be accurate is not to be right" lands like a courtroom warning. Accuracy is a technical virtue; rightness is an ethical and intellectual one. In Hazzard’s world - shaped by war, diplomacy, and the long afterlife of political lies - the danger isn’t fantasy. It’s meticulous, self-satisfied correctness deployed to evade responsibility. The line defends art’s special jurisdiction: not to fabricate, but to reach a truth that facts alone can’t guarantee.
Quote Details
| Topic | Truth |
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