"Songwriting is different from music, although I don't deny now that it would be nice to have a little more background in music theory"
About this Quote
Neil Diamond is drawing a line that every pop hitmaker quietly patrols: the gap between knowing how music works and knowing how a song lands. By separating “songwriting” from “music,” he’s defending craft over credential. Songwriting, in his framing, isn’t a conservatory exercise; it’s a gut-level architecture of melody, phrasing, and emotional timing that can be built by instinct as much as by notation.
The second clause is where the humility bites. “Although I don’t deny now” reads like a late-career adjustment, the kind that comes after decades of being both celebrated and, in some circles, dismissed as “just” a pop writer. He’s not apologizing for his success, but he’s acknowledging the blind spots that fame can’t erase: theory can offer options, shortcuts, and vocabulary for collaboration. It’s the difference between hearing a change in your head and being able to explain it quickly to the band, or to rescue an idea when inspiration stalls.
Culturally, the quote sits in that perennial tension between folk/pop authenticity and institutional expertise. Diamond’s catalog was built on directness and accessibility; theory can be framed as elitist, even suspect, in that ecosystem. His twist is to refuse the false choice. Instinct made the songs, but a “little more background” would have been practical power, not artistic permission. Subtext: don’t confuse lack of training with purity, but don’t confuse training with songwriting, either.
The second clause is where the humility bites. “Although I don’t deny now” reads like a late-career adjustment, the kind that comes after decades of being both celebrated and, in some circles, dismissed as “just” a pop writer. He’s not apologizing for his success, but he’s acknowledging the blind spots that fame can’t erase: theory can offer options, shortcuts, and vocabulary for collaboration. It’s the difference between hearing a change in your head and being able to explain it quickly to the band, or to rescue an idea when inspiration stalls.
Culturally, the quote sits in that perennial tension between folk/pop authenticity and institutional expertise. Diamond’s catalog was built on directness and accessibility; theory can be framed as elitist, even suspect, in that ecosystem. His twist is to refuse the false choice. Instinct made the songs, but a “little more background” would have been practical power, not artistic permission. Subtext: don’t confuse lack of training with purity, but don’t confuse training with songwriting, either.
Quote Details
| Topic | Music |
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