"Sportswriters have changed more than sportswriting"
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It’s a line that lands like a shrug and a reprimand at once: the craft didn’t mutate as much as the people holding the press pass did. Schaap, who came up when sports pages were a blue-collar corridor into American life, is pointing at a quiet identity crisis. “Sportswriting” sounds like a stable genre; “sportswriters” is messier, human, susceptible to status, access, and fashion. That imbalance is the joke and the warning.
The intent is less nostalgic than diagnostic. Schaap is needling a profession that increasingly mistook proximity for insight. As leagues became entertainment conglomerates and athletes became brands, the beat writer’s incentives shifted: from reporter to insider, from skeptic to co-signer, from storyteller to content node. The subtext is that the writing itself still has the same basic tools - observation, scene, voice, moral judgment - but the willingness to use them against the grain has eroded. You can keep the sentence-level style and still lose the nerve.
Context matters: Schaap’s career spans the move from newspaper dominance to TV spectacle and early cable churn, when access tightened and the “relationship” with teams became a form of currency. The line slyly suggests that the big revolution wasn’t new narrative forms; it was professional self-conception. Once a sportswriter starts thinking of himself as part of the show, the language follows: fewer uncomfortable questions, more “greatness,” more euphemisms, more boosterish inevitability. Schaap’s wit is his scalpel: he doesn’t romanticize the old days so much as insist that the only real innovation worth having is the courage to see clearly when everyone else is selling wonder.
The intent is less nostalgic than diagnostic. Schaap is needling a profession that increasingly mistook proximity for insight. As leagues became entertainment conglomerates and athletes became brands, the beat writer’s incentives shifted: from reporter to insider, from skeptic to co-signer, from storyteller to content node. The subtext is that the writing itself still has the same basic tools - observation, scene, voice, moral judgment - but the willingness to use them against the grain has eroded. You can keep the sentence-level style and still lose the nerve.
Context matters: Schaap’s career spans the move from newspaper dominance to TV spectacle and early cable churn, when access tightened and the “relationship” with teams became a form of currency. The line slyly suggests that the big revolution wasn’t new narrative forms; it was professional self-conception. Once a sportswriter starts thinking of himself as part of the show, the language follows: fewer uncomfortable questions, more “greatness,” more euphemisms, more boosterish inevitability. Schaap’s wit is his scalpel: he doesn’t romanticize the old days so much as insist that the only real innovation worth having is the courage to see clearly when everyone else is selling wonder.
Quote Details
| Topic | Sports |
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