"Stage performing is a dying art form"
About this Quote
"Stage performing is a dying art form" lands less like a complaint than an obituary written by someone who spent her life keeping the pulse audible. Ronnie Spector came up in an era when pop wasn’t just consumed; it was witnessed. The Ronettes’ sound was inseparable from the sightline: hair teased into architecture, swagger choreographed down to the hip angle, a voice that had to cut through screaming rooms without the safety net of edits. So when she talks about the stage dying, she’s defending a whole ecosystem of risk and craft.
The intent is pointed: live performance isn’t merely being devalued, it’s being replaced. In the streaming age, music travels frictionlessly; bodies do not. The subtext is about attention economics. Social platforms reward fragments, not arcs; content, not presence. A stage show demands patience and a shared social contract: you show up, you listen, you’re changed in real time. That’s a harder sell when the dominant mode is scrolling and sampling, when “performance” increasingly means a camera-friendly moment engineered for reposting.
Spector’s edge is that she’s not romanticizing purity. She’s calling out what gets lost when polish substitutes for nerve: the possibility of failure, the physical charisma you can’t autotune, the communion that turns songs into events. Coming from a woman whose image and voice were once packaged by powerful men, the line also carries a warning: when the stage fades, artists lose one of the few places they can’t be fully mediated. Live is where you can still take your power back.
The intent is pointed: live performance isn’t merely being devalued, it’s being replaced. In the streaming age, music travels frictionlessly; bodies do not. The subtext is about attention economics. Social platforms reward fragments, not arcs; content, not presence. A stage show demands patience and a shared social contract: you show up, you listen, you’re changed in real time. That’s a harder sell when the dominant mode is scrolling and sampling, when “performance” increasingly means a camera-friendly moment engineered for reposting.
Spector’s edge is that she’s not romanticizing purity. She’s calling out what gets lost when polish substitutes for nerve: the possibility of failure, the physical charisma you can’t autotune, the communion that turns songs into events. Coming from a woman whose image and voice were once packaged by powerful men, the line also carries a warning: when the stage fades, artists lose one of the few places they can’t be fully mediated. Live is where you can still take your power back.
Quote Details
| Topic | Art |
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