"Storytelling is the important thing"
About this Quote
“Storytelling is the important thing” lands like a small, almost stubborn act of resistance coming from an actor: a reminder that the job isn’t to be seen, it’s to serve something larger than the self. In a culture that treats performance as a personal brand and every role as content fodder, Kartheiser’s line quietly reorders the hierarchy. Not the red carpet, not the hot take, not the fandom economy - the story.
The intent feels practical, even workmanlike. Actors spend their lives navigating competing pressures: be memorable, be marketable, be endlessly “authentic.” This sentence chooses craft over charisma. It’s also a subtle rebuke to prestige-chasing. “Important” doesn’t mean “award-worthy” or “viral”; it means structurally essential. If the story isn’t coherent, emotionally legible, and worth telling, the performance becomes decoration.
The subtext is about ego management. Acting can invite a kind of controlled narcissism; the camera rewards micro-expressions, the industry rewards visibility. Kartheiser’s phrasing is deliberately plain, stripping away the mystique. It suggests an ethic: the actor is a conduit, not the point. That’s a surprisingly unfashionable stance at a moment when behind-the-scenes interviews and social media encourage audiences to consume the performer alongside the work.
Context matters, too: television’s “golden age” turned actors into auteurs-by-proxy, while streaming algorithms flattened narrative into bingeable product. Against that, “storytelling” reads as a vote for intention, shape, and meaning - the old promise that a good story can outlast the machine that distributes it.
The intent feels practical, even workmanlike. Actors spend their lives navigating competing pressures: be memorable, be marketable, be endlessly “authentic.” This sentence chooses craft over charisma. It’s also a subtle rebuke to prestige-chasing. “Important” doesn’t mean “award-worthy” or “viral”; it means structurally essential. If the story isn’t coherent, emotionally legible, and worth telling, the performance becomes decoration.
The subtext is about ego management. Acting can invite a kind of controlled narcissism; the camera rewards micro-expressions, the industry rewards visibility. Kartheiser’s phrasing is deliberately plain, stripping away the mystique. It suggests an ethic: the actor is a conduit, not the point. That’s a surprisingly unfashionable stance at a moment when behind-the-scenes interviews and social media encourage audiences to consume the performer alongside the work.
Context matters, too: television’s “golden age” turned actors into auteurs-by-proxy, while streaming algorithms flattened narrative into bingeable product. Against that, “storytelling” reads as a vote for intention, shape, and meaning - the old promise that a good story can outlast the machine that distributes it.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Kartheiser, Vincent. (n.d.). Storytelling is the important thing. FixQuotes. https://fixquotes.com/quotes/storytelling-is-the-important-thing-145505/
Chicago Style
Kartheiser, Vincent. "Storytelling is the important thing." FixQuotes. Accessed February 3, 2026. https://fixquotes.com/quotes/storytelling-is-the-important-thing-145505/.
MLA Style (9th ed.)
"Storytelling is the important thing." FixQuotes, https://fixquotes.com/quotes/storytelling-is-the-important-thing-145505/. Accessed 3 Feb. 2026.
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