"Subject matter that is not bound to reality offers more opportunity to write a unique story and cinematically present it in very unique ways"

Richard King's quote suggests that storytelling which is not constrained by the strict limitations of reality permits greater imaginative flexibility and innovation. This perspective holds considerable implications for both writing and cinematic expression, as it opens up a broad spectrum of possibilities for writers and filmmakers.

In literature and movie, stories that go beyond standard truth-- such as those in the categories of dream, science fiction, or magical realism-- provide developers with a blank canvas. They are not connected by the logical constraints and mundane limitations that govern sensible stories. Rather, authors and directors can craft worlds, characters, and plots that defy the laws of nature and the standards of society. This can lead to the expedition of imaginative concepts, new measurements of human experience, or alternate realities, therefore enabling unique storytelling.

From a cinematic perspective, such subject invites directors and cinematographers to try out visual design and story methods. For instance, scenes can be established with striking visual effects that would be out of place in a reasonable setting. Non-linear storytelling, symbolic imagery, surreal visual landscapes, and innovative use of noise and lighting end up being tools to evoke emotions, communicate styles, and communicate the immaterial or the abstract.

Furthermore, by leaving from reality, narratives can engage audiences in a different sort of suspension of disbelief. They welcome viewers to question their own understandings and think about alternative viewpoints. This can foster a much deeper connection with the audience, as they are motivated to believe expansively and engage with the product in methods they may not with a more traditional, reality-based story.

In essence, King's reflection emphasizes the innovative potential that lies in the freedom to disregard the limitations of reality, suggesting that such stories not just widen the scope for artistic expression but likewise improve the audience's experience by presenting them with fresh and thought-provoking material.