"Success to me is having ten honeydew melons and eating only the top half of each slice"
About this Quote
Success, in Barbra Streisand's telling, is not a yacht or an Oscar; it's the absurdly specific luxury of waste. Ten honeydew melons on hand and the freedom to eat only the top half of each slice: the line lands because it treats abundance as the ability to be picky, even inefficient, without consequence. Not just having enough, but having enough to indulge a preference so finicky it borders on parody.
The honeydew detail matters. It's not champagne; it's a mildly glamorous supermarket fruit, the kind of thing you buy when you're pretending to be virtuous. Streisand picks a symbol of wholesome restraint, then flips it into a miniature manifesto of excess. The "top half" is the best part, the sweetest, the least gritty near the rind. Success becomes the power to curate experience down to texture and sugar content - to live inside your preferences and discard the rest.
There's also an entertainer's wink here: Streisand, long framed as meticulous, taste-driven, and unapologetically exacting, smuggles her persona into a domestic image. The joke is self-aware, but it's not self-flagellating. It normalizes a kind of diva control as the endgame of achievement.
Culturally, it plays like an older-Hollywood counterpoint to today's hustle pieties. Where modern success rhetoric fetishizes optimization, Streisand's is delightfully unproductive: the goal isn't maximizing the melon. It's maximizing the moment.
The honeydew detail matters. It's not champagne; it's a mildly glamorous supermarket fruit, the kind of thing you buy when you're pretending to be virtuous. Streisand picks a symbol of wholesome restraint, then flips it into a miniature manifesto of excess. The "top half" is the best part, the sweetest, the least gritty near the rind. Success becomes the power to curate experience down to texture and sugar content - to live inside your preferences and discard the rest.
There's also an entertainer's wink here: Streisand, long framed as meticulous, taste-driven, and unapologetically exacting, smuggles her persona into a domestic image. The joke is self-aware, but it's not self-flagellating. It normalizes a kind of diva control as the endgame of achievement.
Culturally, it plays like an older-Hollywood counterpoint to today's hustle pieties. Where modern success rhetoric fetishizes optimization, Streisand's is delightfully unproductive: the goal isn't maximizing the melon. It's maximizing the moment.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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