"Super Troopers is hilarious. Everybody always thought we somehow - we did Reno way, way before any of us had seen Super Troopers. It sat on the shelf for a couple years"
About this Quote
Nostalgia is a competitive sport, and Thomas Lennon is playing defense. He’s not just praising Super Troopers; he’s preemptively swatting away the lazy accusation that comedy is a relay race of stolen bits. The line is built around a nervous cultural reality: if two stoner-cop comedies share a vibe, the internet will insist one is a knockoff and appoint itself judge, jury, and DVD-commentary track.
Lennon’s move is canny. He opens with genuine fan energy ("hilarious") so he doesn’t sound bitter or territorial, then pivots to the real agenda: provenance. The repetition of "way, way" isn’t rhetorical flourish so much as a legal brief delivered in conversational clothes. He’s trying to establish timeline as identity. In comedy, originality is often less about inventing a new planet than arriving first to a familiar one.
The subtext is also about how messy creative history actually is. "It sat on the shelf for a couple years" is the unglamorous detail that explains why audiences think they’re seeing influence when they’re really seeing distribution delays. Movies don’t drop when they’re born; they drop when financiers, studios, and luck allow it. Lennon is reminding us that pop culture timelines are warped by post-production purgatory, release strategies, and industry gatekeeping.
Underneath the defensiveness is a quiet solidarity: he can admire Super Troopers and still insist Reno 911! wasn’t its echo. It’s a snapshot of a comedy era where parallel evolution was common, but credit was scarce.
Lennon’s move is canny. He opens with genuine fan energy ("hilarious") so he doesn’t sound bitter or territorial, then pivots to the real agenda: provenance. The repetition of "way, way" isn’t rhetorical flourish so much as a legal brief delivered in conversational clothes. He’s trying to establish timeline as identity. In comedy, originality is often less about inventing a new planet than arriving first to a familiar one.
The subtext is also about how messy creative history actually is. "It sat on the shelf for a couple years" is the unglamorous detail that explains why audiences think they’re seeing influence when they’re really seeing distribution delays. Movies don’t drop when they’re born; they drop when financiers, studios, and luck allow it. Lennon is reminding us that pop culture timelines are warped by post-production purgatory, release strategies, and industry gatekeeping.
Underneath the defensiveness is a quiet solidarity: he can admire Super Troopers and still insist Reno 911! wasn’t its echo. It’s a snapshot of a comedy era where parallel evolution was common, but credit was scarce.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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