"Take your work seriously, but never yourself"
About this Quote
There is steel hidden inside this line, the kind dancers recognize immediately. “Take your work seriously” isn’t a hustle slogan; it’s a demand for rigor. Fonteyn came up in a world where the body is both instrument and evidence, where discipline is visible in every turnout and landing, and where “talent” without daily craft reads as disrespect. The seriousness is non-negotiable because the work is bigger than mood, ego, or applause.
“But never yourself” is the counterweight that keeps that seriousness from curdling into vanity or fragility. Ballet, especially in Fonteyn’s era, ran on hierarchy, scrutiny, and a brutal economy of comparison. To “take yourself seriously” is to inflate the persona and then become hostage to it: every mistake becomes existential, every critique a personal attack. Fonteyn’s subtext is pragmatic mental hygiene. If you can separate the work (sacred) from the self (fallible), you stay teachable. You survive long enough to get good.
It’s also quietly defiant. For women performers, self-importance is often punished, while self-effacement is demanded. Fonteyn flips that dynamic: she grants the artist full authority over the labor, while refusing the cult of the self that the audience and institutions try to manufacture. The line protects artistry from ego, and the person from the performance. That’s how you keep grace from becoming a mask.
“But never yourself” is the counterweight that keeps that seriousness from curdling into vanity or fragility. Ballet, especially in Fonteyn’s era, ran on hierarchy, scrutiny, and a brutal economy of comparison. To “take yourself seriously” is to inflate the persona and then become hostage to it: every mistake becomes existential, every critique a personal attack. Fonteyn’s subtext is pragmatic mental hygiene. If you can separate the work (sacred) from the self (fallible), you stay teachable. You survive long enough to get good.
It’s also quietly defiant. For women performers, self-importance is often punished, while self-effacement is demanded. Fonteyn flips that dynamic: she grants the artist full authority over the labor, while refusing the cult of the self that the audience and institutions try to manufacture. The line protects artistry from ego, and the person from the performance. That’s how you keep grace from becoming a mask.
Quote Details
| Topic | Work Ethic |
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