"Technological things, that Germans and Japanese would get real excited about"
About this Quote
The line lands with the casual bluntness of someone speaking from inside a very specific American moment: late-20th-century anxiety about who “owns” the future. Badham’s phrasing isn’t polished; it’s the kind of offhand generalization you hear in production offices and studio hallways, where shorthand becomes worldview. “Technological things” is deliberately vague, a bucket term that treats innovation less as a field of ideas than as a fetish object - gadgets, systems, sleek hardware. Then comes the real payload: “Germans and Japanese,” two nationalities routinely cast in American pop culture as disciplined, precision-obsessed, machine-friendly.
The intent feels pragmatic (he’s describing an audience response pattern), but the subtext is a soft stereotype doing heavy lifting. It flatters the speaker’s assumed “normal” perspective while outsourcing a certain kind of enthusiasm to foreigners: they get “real excited,” we stay cool. That choice of wording frames technological passion as almost quaint, a cultural tic, rather than a rational reaction to shifting power and possibility.
Context matters: Badham’s career runs through an era when Japanese manufacturing was synonymous with economic threat and consumer allure, and “German engineering” was a marketing spell. In Hollywood, where technology is both tool and story engine, this line hints at an industry negotiating its own relationship with tech: dependence mixed with suspicion, admiration laced with caricature. The wit isn’t in a punchline; it’s in the unguarded reveal of how cultural hierarchies hide inside supposedly neutral observations.
The intent feels pragmatic (he’s describing an audience response pattern), but the subtext is a soft stereotype doing heavy lifting. It flatters the speaker’s assumed “normal” perspective while outsourcing a certain kind of enthusiasm to foreigners: they get “real excited,” we stay cool. That choice of wording frames technological passion as almost quaint, a cultural tic, rather than a rational reaction to shifting power and possibility.
Context matters: Badham’s career runs through an era when Japanese manufacturing was synonymous with economic threat and consumer allure, and “German engineering” was a marketing spell. In Hollywood, where technology is both tool and story engine, this line hints at an industry negotiating its own relationship with tech: dependence mixed with suspicion, admiration laced with caricature. The wit isn’t in a punchline; it’s in the unguarded reveal of how cultural hierarchies hide inside supposedly neutral observations.
Quote Details
| Topic | Technology |
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