"Television is not the exclusive target of promoters. Is Superman really worthy of a Newsweek cover?"
About this Quote
Donahue’s jab lands because it refuses to treat mass media as a single guilty party. By opening with “Television is not the exclusive target of promoters,” he flips the standard moral panic on its head: the problem isn’t the glowing box corrupting taste, it’s the larger promotional machine that can turn anything into an Event across every platform that matters. TV just gets blamed because it’s visible, easy to scold, and convenient for people who want to feel above the fray while still watching.
The second sentence is the tighter knife: “Is Superman really worthy of a Newsweek cover?” It’s not an anti-comics sneer so much as a media-status critique. Donahue chooses Newsweek deliberately: a middlebrow newsweekly that once stood for “seriousness” now lending its cultural authority to a corporate icon. Superman isn’t simply a character; he’s a brand engineered for maximum recognizability, the kind of safe, pre-sold story that publishers can market without risk. The question sounds innocent, but it’s an indictment of a newsroom’s priorities: when a magazine crowns a superhero as cover-worthy, it’s advertising disguised as editorial judgment.
Context matters: Donahue made his name bringing messy, real public arguments into daytime television, and he understood how “content” gets packaged. His line suggests a media ecosystem already drifting toward what we’d now call IP-driven culture, where the promotional tail wags the journalistic dog. The sting is that we’re not just consuming stories; we’re being managed.
The second sentence is the tighter knife: “Is Superman really worthy of a Newsweek cover?” It’s not an anti-comics sneer so much as a media-status critique. Donahue chooses Newsweek deliberately: a middlebrow newsweekly that once stood for “seriousness” now lending its cultural authority to a corporate icon. Superman isn’t simply a character; he’s a brand engineered for maximum recognizability, the kind of safe, pre-sold story that publishers can market without risk. The question sounds innocent, but it’s an indictment of a newsroom’s priorities: when a magazine crowns a superhero as cover-worthy, it’s advertising disguised as editorial judgment.
Context matters: Donahue made his name bringing messy, real public arguments into daytime television, and he understood how “content” gets packaged. His line suggests a media ecosystem already drifting toward what we’d now call IP-driven culture, where the promotional tail wags the journalistic dog. The sting is that we’re not just consuming stories; we’re being managed.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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