"Television makes so much at its worst that it can't afford to do its best"
About this Quote
Television, Friendly suggests, is trapped in a business model where mediocrity isn’t a lapse but a strategy. The line is built like a paradox and lands like an indictment: when the “worst” content reliably prints money, excellence stops being a goal and becomes an expense the system rationally avoids. It’s not just a complaint about bad taste; it’s a diagnosis of incentives.
Friendly came out of the golden age of broadcast journalism, when networks still spoke the language of “public service” while learning to monetize mass attention at industrial scale. As a producer, he understood the machinery: programming decisions aren’t moral debates, they’re budget meetings with ratings spreadsheets. “Can’t afford” is doing heavy lifting here. It frames quality as a cost center, not a civic obligation. The subtext is bleakly pragmatic: television isn’t failing despite profitability; it’s failing because profitability makes failure unnecessary to fix.
The quote also nails TV’s unique cruelty: its worst can be cheap, repeatable, and sticky. Sensationalism, formula, conflict, and spectacle deliver audiences with less risk than nuanced reporting or ambitious drama. Friendly implies that “best” requires time, talent, and editorial courage - all of which threaten margins and invite backlash. Excellence is risky; junk is scalable.
Read now, it feels less like nostalgia than a template for the attention economy. Swap “television” for “platforms” and the logic holds: when the bottom line rewards engagement over substance, the culture gets what pays, not what’s possible.
Friendly came out of the golden age of broadcast journalism, when networks still spoke the language of “public service” while learning to monetize mass attention at industrial scale. As a producer, he understood the machinery: programming decisions aren’t moral debates, they’re budget meetings with ratings spreadsheets. “Can’t afford” is doing heavy lifting here. It frames quality as a cost center, not a civic obligation. The subtext is bleakly pragmatic: television isn’t failing despite profitability; it’s failing because profitability makes failure unnecessary to fix.
The quote also nails TV’s unique cruelty: its worst can be cheap, repeatable, and sticky. Sensationalism, formula, conflict, and spectacle deliver audiences with less risk than nuanced reporting or ambitious drama. Friendly implies that “best” requires time, talent, and editorial courage - all of which threaten margins and invite backlash. Excellence is risky; junk is scalable.
Read now, it feels less like nostalgia than a template for the attention economy. Swap “television” for “platforms” and the logic holds: when the bottom line rewards engagement over substance, the culture gets what pays, not what’s possible.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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