"Television's not going read stories to you"
About this Quote
A blunt little provocation, the kind that sounds like a cranky aside until you notice how cleanly it draws blood. Kurt Loder’s line works because it refuses to argue on the terrain of “content quality” and goes straight to the relationship between medium and mind. Television can show you stories, sell you stories, even flatter you with the feeling of having followed a story. It won’t read to you. That verb matters: reading is intimate, slow, and participatory. You supply the voices, pace, emphasis, and mental imagery; you co-author the experience. TV, by design, does the authoring for you.
The subtext is not anti-television snobbery so much as a warning about default settings. Television is frictionless: it arrives pre-lit, pre-cut, pre-emoted, engineered to keep you from touching the remote. Reading demands friction: quiet, time, attention, a willingness to be bored for a few pages before being rewarded. Loder’s sentence implies that if you outsource that work long enough, the muscles atrophy - not just “literacy” in a test-score sense, but the capacity to sustain thought without constant stimulus.
Contextually, Loder came up as a high-profile pop-culture journalist in the MTV era, when television wasn’t merely entertainment but an all-day environment, a national mood ring. The quip lands as a cultural boundary marker: you can be plugged in, informed, even sophisticated - but if you want the kind of interior life that stories cultivate, you don’t get it passively. You have to meet the page halfway.
The subtext is not anti-television snobbery so much as a warning about default settings. Television is frictionless: it arrives pre-lit, pre-cut, pre-emoted, engineered to keep you from touching the remote. Reading demands friction: quiet, time, attention, a willingness to be bored for a few pages before being rewarded. Loder’s sentence implies that if you outsource that work long enough, the muscles atrophy - not just “literacy” in a test-score sense, but the capacity to sustain thought without constant stimulus.
Contextually, Loder came up as a high-profile pop-culture journalist in the MTV era, when television wasn’t merely entertainment but an all-day environment, a national mood ring. The quip lands as a cultural boundary marker: you can be plugged in, informed, even sophisticated - but if you want the kind of interior life that stories cultivate, you don’t get it passively. You have to meet the page halfway.
Quote Details
| Topic | Book |
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