"Terror made me cruel"
About this Quote
The words come during Lockwood's nightmare in Wuthering Heights, when a small cold hand grips his through the broken pane and a childlike voice begs to be let in. Panic surges, and he responds by grinding the clinging wrist against the glass until blood flows, then explains himself with the stark admission: terror made me cruel. The moment fuses Gothic horror with psychological realism, showing how fear does not always paralyze; it can also erupt as violence.
Lockwood, the civilized outsider, imagines himself above the rough passions of the moors. Yet a single shock unmasks a capacity for brutality that matches anything in the house he has come to judge. Brontes phrasing is telling: made me suggests compulsion, as if emotion absolves responsibility. That self-exculpation is as chilling as the act. The scene compresses a larger pattern in the novel, where suffering, insecurity, and dread harden into harshness. Heathcliffs revenge arises from humiliation and fear of exclusion; Hindleys cruelty from loss and rage. Terror, in various forms, does not excuse them, but it helps explain the cycle that traps them.
The image of a pleading figure locked out and a sleeper refusing entry works on several levels. It dramatizes the porous boundary between life and death that haunts the book, with the past literally knocking at the window. It also aligns with the novels obsessions with thresholds and belonging: who is allowed in, who is left out. Lockwoods fear refuses the claim of the dead and of memory, foreshadowing his failure to comprehend the passionate bonds that animate the place. Bronte strips the sentence to bone: five words, no ornament, a confession and an indictment together. It captures a raw human truth: under threat, people often choose aggression over empathy, and then search for language to make that choice seem inevitable.
Lockwood, the civilized outsider, imagines himself above the rough passions of the moors. Yet a single shock unmasks a capacity for brutality that matches anything in the house he has come to judge. Brontes phrasing is telling: made me suggests compulsion, as if emotion absolves responsibility. That self-exculpation is as chilling as the act. The scene compresses a larger pattern in the novel, where suffering, insecurity, and dread harden into harshness. Heathcliffs revenge arises from humiliation and fear of exclusion; Hindleys cruelty from loss and rage. Terror, in various forms, does not excuse them, but it helps explain the cycle that traps them.
The image of a pleading figure locked out and a sleeper refusing entry works on several levels. It dramatizes the porous boundary between life and death that haunts the book, with the past literally knocking at the window. It also aligns with the novels obsessions with thresholds and belonging: who is allowed in, who is left out. Lockwoods fear refuses the claim of the dead and of memory, foreshadowing his failure to comprehend the passionate bonds that animate the place. Bronte strips the sentence to bone: five words, no ornament, a confession and an indictment together. It captures a raw human truth: under threat, people often choose aggression over empathy, and then search for language to make that choice seem inevitable.
Quote Details
| Topic | Fear |
|---|---|
| Source | Wuthering Heights, Emily Bronte (1847). Phrase appears in the novel — see edition/transcription of the text. |
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