"Thanks to the Japanese and Geronimo, John Wayne became a millionaire"
About this Quote
A neat little grenade disguised as a thank-you note, Pat Morita’s line lands because it names the business model of classic American heroism: someone else’s “enemy” pays the star’s mortgage. By pairing “the Japanese” with “Geronimo,” Morita stitches together two groups Hollywood loved to flatten into props - Asians and Native Americans - and shows how interchangeable the machinery of stereotyping can be. One century’s “savage,” another’s “yellow peril,” same camera angle, same swelling score.
John Wayne stands in for an entire studio-era economy where whiteness didn’t just get centered; it got monetized. The joke isn’t that Wayne worked hard and got rich. It’s that his legend required a steady supply of dehumanized others, bodies to be mowed down so the American avatar could look righteous, brave, and inevitable. “Thanks” is doing heavy lifting here: it’s gratitude turned inside out, an indictment delivered with the politeness minorities are often expected to perform.
Morita’s context matters. As a Japanese American actor who lived through internment and later found fame in roles that navigated stereotype and dignity (most famously as Mr. Miyagi), he’s not theorizing from afar. He’s talking shop: casting, archetypes, who gets complexity, who gets shot, who gets paid. The line works because it’s funny in the way uncomfortable truths are funny - a laugh that catches in the throat once you realize the punchline is the industry.
John Wayne stands in for an entire studio-era economy where whiteness didn’t just get centered; it got monetized. The joke isn’t that Wayne worked hard and got rich. It’s that his legend required a steady supply of dehumanized others, bodies to be mowed down so the American avatar could look righteous, brave, and inevitable. “Thanks” is doing heavy lifting here: it’s gratitude turned inside out, an indictment delivered with the politeness minorities are often expected to perform.
Morita’s context matters. As a Japanese American actor who lived through internment and later found fame in roles that navigated stereotype and dignity (most famously as Mr. Miyagi), he’s not theorizing from afar. He’s talking shop: casting, archetypes, who gets complexity, who gets shot, who gets paid. The line works because it’s funny in the way uncomfortable truths are funny - a laugh that catches in the throat once you realize the punchline is the industry.
Quote Details
| Topic | Sarcastic |
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