"That could stay, not forever, because we believe that nothing exists that is forever, not even the dinosaurs, but if well maintained, it could remain for four to five thousand years. And that is definitely not forever"
About this Quote
Christo is doing something sly here: selling you permanence while insisting he doesn’t believe in it. The voice is casually conversational, almost chatty, but the logic is a slow needle. “Four to five thousand years” is an absurdly long stretch of time in human terms, yet he punctures it twice with the same pin: not forever. Even dinosaurs didn’t make it. In other words, don’t mistake scale for immortality.
This is very Christo: an artist famous for temporary, spectacular interventions (wrapping buildings, floating piers) who nevertheless thought obsessively about logistics, materials, wind load, permits, maintenance. The sentence is a neat braid of those two impulses. He acknowledges the engineering mindset that wants guarantees (“if well maintained”), then undermines the comfort that mindset usually provides. Maintenance becomes a metaphor for culture itself: we can extend the life of things by caring for them, but we can’t cancel entropy.
The subtext is also a quiet jab at the museum impulse to freeze art in amber. Christo’s work lived in the world, in weather and politics and public argument, and this quote smuggles that worldview into a timeframe that sounds like civilization. It’s not nihilism; it’s a kind of realism that makes his ephemerality feel less like a stunt and more like an ethic. You can build something that lasts millennia and still be honest about how quickly “forever” collapses under scrutiny.
This is very Christo: an artist famous for temporary, spectacular interventions (wrapping buildings, floating piers) who nevertheless thought obsessively about logistics, materials, wind load, permits, maintenance. The sentence is a neat braid of those two impulses. He acknowledges the engineering mindset that wants guarantees (“if well maintained”), then undermines the comfort that mindset usually provides. Maintenance becomes a metaphor for culture itself: we can extend the life of things by caring for them, but we can’t cancel entropy.
The subtext is also a quiet jab at the museum impulse to freeze art in amber. Christo’s work lived in the world, in weather and politics and public argument, and this quote smuggles that worldview into a timeframe that sounds like civilization. It’s not nihilism; it’s a kind of realism that makes his ephemerality feel less like a stunt and more like an ethic. You can build something that lasts millennia and still be honest about how quickly “forever” collapses under scrutiny.
Quote Details
| Topic | Mortality |
|---|---|
| Source | Help us find the source |
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