"That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere"
About this Quote
Kingsley’s line doesn’t sparkle; it presses. The rhythm is a kind of moral inventory, a list of forces most societies prefer to outsource to “other people” or “other places.” By stacking four drives - appetite, comfort, fear, honor - he frames human behavior less as ideology than as pressure. These aren’t lofty motives; they’re bodily, social, and primal. The repetition of “that” works like a drumbeat: you can’t dodge the next clause because it’s already queued up, inevitable.
The intent feels actorly in the best sense: to puncture the audience’s illusion of distance. “Hunger of the flesh” isn’t just starvation; it’s desire, addiction, the way the body can veto the mind. “Longing for ease” carries the quiet accusation of privilege - the comforts that become entitlements. “Terror of incarceration” lands as both literal (prisons, authoritarian states) and psychological (the fear of losing status, being trapped by consequences). Then “tribal honour” sharpens the political edge: violence, retaliation, and conformity dressed up as duty. Kingsley is naming the emotional engines behind conflict without giving anyone the relief of calling it foreign, barbaric, or outdated.
Contextually, it echoes the kind of worldview actors develop when inhabiting extremity - dictators and saints, victims and enforcers. Playing across cultures and histories teaches a brutal continuity: the same levers get pulled, just with different costumes. The closing insistence - “it exists everywhere” - isn’t nihilism so much as a warning. If these impulses are universal, then so is the responsibility to build systems that restrain them, and to admit how easily we’d fold under the same pressures.
The intent feels actorly in the best sense: to puncture the audience’s illusion of distance. “Hunger of the flesh” isn’t just starvation; it’s desire, addiction, the way the body can veto the mind. “Longing for ease” carries the quiet accusation of privilege - the comforts that become entitlements. “Terror of incarceration” lands as both literal (prisons, authoritarian states) and psychological (the fear of losing status, being trapped by consequences). Then “tribal honour” sharpens the political edge: violence, retaliation, and conformity dressed up as duty. Kingsley is naming the emotional engines behind conflict without giving anyone the relief of calling it foreign, barbaric, or outdated.
Contextually, it echoes the kind of worldview actors develop when inhabiting extremity - dictators and saints, victims and enforcers. Playing across cultures and histories teaches a brutal continuity: the same levers get pulled, just with different costumes. The closing insistence - “it exists everywhere” - isn’t nihilism so much as a warning. If these impulses are universal, then so is the responsibility to build systems that restrain them, and to admit how easily we’d fold under the same pressures.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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