"That is the artistic task: To choose the best from these solutions"
About this Quote
Jacobsen treats creativity less like divine lightning and more like ruthless editing. “That is the artistic task” doesn’t romanticize the artist; it assigns a job description. The real work isn’t dreaming up infinite possibilities, but standing in a room crowded with plausible answers and having the nerve to eliminate nearly all of them.
The phrasing matters: “these solutions” implies the problems are already framed, practical, and multiple-choice. That’s the architect’s reality: physics, budgets, codes, clients, and use-cases all produce their own “solutions,” each defensible, each slightly wrong. Jacobsen’s modernism was never purely aesthetic; it was an argument that form should emerge from a disciplined negotiation with constraints. The artistry is in selection, not decoration.
There’s also a quiet critique of the cult of originality. Jacobsen doesn’t say “invent” the best solution; he says “choose” it. Subtext: good design is less about personal expression than about judgment - taste, proportion, restraint, and empathy for how a space or object will be lived in. It’s why his chairs and buildings feel inevitable rather than loud: they seem discovered, not performed.
Contextually, coming out of early-to-mid 20th-century modernism, this is a rebuttal to both historicist pastiche and avant-garde chaos. When the world offers endless “new” options, Jacobsen stakes a claim for clarity: the best work is the one that survives the cutting room floor and still serves the human body, the city, and time.
The phrasing matters: “these solutions” implies the problems are already framed, practical, and multiple-choice. That’s the architect’s reality: physics, budgets, codes, clients, and use-cases all produce their own “solutions,” each defensible, each slightly wrong. Jacobsen’s modernism was never purely aesthetic; it was an argument that form should emerge from a disciplined negotiation with constraints. The artistry is in selection, not decoration.
There’s also a quiet critique of the cult of originality. Jacobsen doesn’t say “invent” the best solution; he says “choose” it. Subtext: good design is less about personal expression than about judgment - taste, proportion, restraint, and empathy for how a space or object will be lived in. It’s why his chairs and buildings feel inevitable rather than loud: they seem discovered, not performed.
Contextually, coming out of early-to-mid 20th-century modernism, this is a rebuttal to both historicist pastiche and avant-garde chaos. When the world offers endless “new” options, Jacobsen stakes a claim for clarity: the best work is the one that survives the cutting room floor and still serves the human body, the city, and time.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
More Quotes by Arne
Add to List






