"That is the way a great master carpenter feels, or an architect or composer or anyone who creates anything - people want to be appreciated for what they have done"
About this Quote
Amram slips a big, democratic truth into the modest clothing of craft. By lining up “master carpenter” with “architect or composer,” he’s quietly arguing against the cultural habit of treating art as a mystical exception and everyone else’s work as mere labor. The point isn’t that composers are like carpenters; it’s that carpenters are like composers. Creation, in this framing, is less about genius than about making something hold together under pressure - structurally, emotionally, socially.
The intent is practical: to defend the need for recognition without turning it into vanity. “People want to be appreciated for what they have done” is a deliberately unromantic claim. He’s not asking for worship, just accurate witnessing. That choice of words matters. Appreciated for what they have done, not who they are, not what they represent. It’s a rebuke to prestige systems that reward branding, mythology, and proximity to power while ignoring the actual work.
The subtext is also a small manifesto about dignity. In creative industries, appreciation often gets replaced by exposure, or by the expectation that passion should be payment enough. Amram, a composer who moved between concert halls, jazz clubs, and film scoring, knew the economy of “being lucky to be here.” His quote pushes back: gratitude and craft aren’t mutually exclusive; neither are humility and the desire to be seen.
Contextually, it reads like a bridge-builder’s ethic. Amram spent a career collaborating across genres and class boundaries, and this line makes that worldview explicit: creation is a shared human impulse, and recognition is the social fuel that keeps it going.
The intent is practical: to defend the need for recognition without turning it into vanity. “People want to be appreciated for what they have done” is a deliberately unromantic claim. He’s not asking for worship, just accurate witnessing. That choice of words matters. Appreciated for what they have done, not who they are, not what they represent. It’s a rebuke to prestige systems that reward branding, mythology, and proximity to power while ignoring the actual work.
The subtext is also a small manifesto about dignity. In creative industries, appreciation often gets replaced by exposure, or by the expectation that passion should be payment enough. Amram, a composer who moved between concert halls, jazz clubs, and film scoring, knew the economy of “being lucky to be here.” His quote pushes back: gratitude and craft aren’t mutually exclusive; neither are humility and the desire to be seen.
Contextually, it reads like a bridge-builder’s ethic. Amram spent a career collaborating across genres and class boundaries, and this line makes that worldview explicit: creation is a shared human impulse, and recognition is the social fuel that keeps it going.
Quote Details
| Topic | Respect |
|---|
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