"That is what war is and dancing it is forward and back, when one is out walking one wants not to go back the way they came but in dancing and in war it is forward and back"
About this Quote
War, in Stein's hands, stops being a grand narrative and collapses into a rhythm: forward and back, forward and back. The sentence itself enacts that motion. It advances, retreats, repeats, doubles over. You can feel her modernist obsession with how meaning is made not by lofty declarations but by pattern, tempo, and insistence. Syntax becomes choreography; logic becomes a step sequence.
The pivot is the sly comparison to walking. Walking is purposeful, linear, the story we tell ourselves about progress: you go out, you don't want to retrace your route. Dancing violates that common-sense ethic. Dance invites repetition; it makes beauty out of reversal. By yoking war to dance, Stein isn't romanticizing combat so much as exposing its bleak mechanics. War is not a straight march toward resolution but a compulsive routine, a ritual of advance and retreat sold to the public as movement and necessity. The subtext is moral exhaustion: the horror isn't only the violence, it's the way it keeps returning, dressed up as the next step forward.
Context matters. Stein lived through two world wars and wrote with the disillusioned clarity of a generation watching "progress" turn into industrialized slaughter. Her looping phrasing mirrors the era's trapped feeling: history as a room you pace in, convinced you're going somewhere. The line works because it refuses the comfort of climax; it leaves you in the middle of the dance, still stepping, still not arriving.
The pivot is the sly comparison to walking. Walking is purposeful, linear, the story we tell ourselves about progress: you go out, you don't want to retrace your route. Dancing violates that common-sense ethic. Dance invites repetition; it makes beauty out of reversal. By yoking war to dance, Stein isn't romanticizing combat so much as exposing its bleak mechanics. War is not a straight march toward resolution but a compulsive routine, a ritual of advance and retreat sold to the public as movement and necessity. The subtext is moral exhaustion: the horror isn't only the violence, it's the way it keeps returning, dressed up as the next step forward.
Context matters. Stein lived through two world wars and wrote with the disillusioned clarity of a generation watching "progress" turn into industrialized slaughter. Her looping phrasing mirrors the era's trapped feeling: history as a room you pace in, convinced you're going somewhere. The line works because it refuses the comfort of climax; it leaves you in the middle of the dance, still stepping, still not arriving.
Quote Details
| Topic | War |
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