"That was like throwing three pickled onions into a thimble!"
About this Quote
It lands because it’s ridiculous on purpose: three pickled onions can’t possibly fit in a thimble, and everyone knows it. Sid Waddell’s line is a cartoon of excess crammed into impossibility, a way of saying an attempt wasn’t just ambitious or messy, but comically ill-judged. The image is tactile and slightly disgusting (brine, squish, sting), which gives the failure a bodily punch rather than a polite critique. You don’t just picture the mistake; you feel it.
Waddell, as a darts entertainer-commentator, specialized in turning tiny moments into arena-sized drama. That’s the context the metaphor needs. Darts is millimetres and nerves, a sport where a minuscule error can flip a leg; his job was to make those margins legible to a crowd with a pint in hand and to viewers who might not track the arithmetic. So he reaches for pub-kitchen objects: pickled onions, thimbles, things you can practically smell in the room. The comparison flatters the audience’s everyday knowledge and turns technical failure into a shared joke.
The subtext is affectionate brutality. He’s roasting the play, not the person, giving permission to laugh while keeping the stakes high. It’s also a little class-coded: not champagne and sonnets, but brine and sewing kits. That’s Waddell’s genius - elevating a working-class spectacle without sanding off its grit, making exaggeration itself the point and the pleasure.
Waddell, as a darts entertainer-commentator, specialized in turning tiny moments into arena-sized drama. That’s the context the metaphor needs. Darts is millimetres and nerves, a sport where a minuscule error can flip a leg; his job was to make those margins legible to a crowd with a pint in hand and to viewers who might not track the arithmetic. So he reaches for pub-kitchen objects: pickled onions, thimbles, things you can practically smell in the room. The comparison flatters the audience’s everyday knowledge and turns technical failure into a shared joke.
The subtext is affectionate brutality. He’s roasting the play, not the person, giving permission to laugh while keeping the stakes high. It’s also a little class-coded: not champagne and sonnets, but brine and sewing kits. That’s Waddell’s genius - elevating a working-class spectacle without sanding off its grit, making exaggeration itself the point and the pleasure.
Quote Details
| Topic | Witty One-Liners |
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