"That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!"
About this Quote
Vega’s little pivot from dismissal to respect is basically a mini-history of how outsider music gets absorbed: first as spectacle, then as threat, then as craft. When he says you “laugh about Eminem,” he’s calling out a reflex that punks and art-kids know well: if the mainstream is paying attention, it must be corny, calculated, a “big joke.” That’s gatekeeping disguised as taste, and Vega admits he fell for it.
What makes the quote work is how quickly it re-centers authenticity without romanticizing it. “The guy’s for real” isn’t a claim about Eminem being wholesome or politically correct; it’s a musician’s shorthand for commitment, control, and stakes. Vega hears technique and intent in the lyrics - not just shock value or tabloid persona. Coming from the frontman of Suicide, whose own early reception often toggled between mockery and moral panic, the recognition lands with extra bite. Vega knows what it’s like to be treated as a prank before being treated as an artist.
There’s also a sly generational truce here. Vega isn’t surrendering his underground credentials; he’s asserting a more useful one: the ability to revise his opinion when the work demands it. In an era where Eminem was widely framed as either a cartoon villain or a marketing miracle, Vega spots the uncomfortable third option: a serious writer using pop fame as an amplifier, not a substitute.
What makes the quote work is how quickly it re-centers authenticity without romanticizing it. “The guy’s for real” isn’t a claim about Eminem being wholesome or politically correct; it’s a musician’s shorthand for commitment, control, and stakes. Vega hears technique and intent in the lyrics - not just shock value or tabloid persona. Coming from the frontman of Suicide, whose own early reception often toggled between mockery and moral panic, the recognition lands with extra bite. Vega knows what it’s like to be treated as a prank before being treated as an artist.
There’s also a sly generational truce here. Vega isn’t surrendering his underground credentials; he’s asserting a more useful one: the ability to revise his opinion when the work demands it. In an era where Eminem was widely framed as either a cartoon villain or a marketing miracle, Vega spots the uncomfortable third option: a serious writer using pop fame as an amplifier, not a substitute.
Quote Details
| Topic | Music |
|---|
More Quotes by Alan
Add to List





