"That's the most difficult issue for me... to find a subject that holds my interest long enough that I'm prepared to go to work and spend the time and energy to shoot the subject"
About this Quote
Creative work isn’t blocked by a lack of skill here; it’s blocked by the more humiliating obstacle: boredom. Nimoy frames “the most difficult issue” not as mastering a camera or finding funding, but finding a subject that can survive his attention span long enough to justify the grind. That’s a quietly bracing admission from a performer best known for embodying discipline and control. The subtext is that inspiration is cheap, but commitment is expensive.
The line also does a bit of cultural self-defense. When a celebrity takes up photography, the suspicion is dilettantism: a hobby dressed up as art. Nimoy counters that stereotype by emphasizing labor: “go to work,” “spend the time and energy,” “shoot the subject.” He’s not romanticizing the muse; he’s describing a job. In that phrasing, “subject” isn’t just an object to capture, it’s a relationship that has to endure repetition, doubt, and the unglamorous logistics of making something real.
Context matters, too: Nimoy’s post-Spock career was a long negotiation with typecasting and public projection. Photography offered autonomy, but also demanded a new kind of authority - choosing what deserves sustained attention when the world already thinks it knows what you are. The quote is a small manifesto for serious curiosity: the real challenge isn’t seeing; it’s caring enough to keep looking after the first spark fades.
The line also does a bit of cultural self-defense. When a celebrity takes up photography, the suspicion is dilettantism: a hobby dressed up as art. Nimoy counters that stereotype by emphasizing labor: “go to work,” “spend the time and energy,” “shoot the subject.” He’s not romanticizing the muse; he’s describing a job. In that phrasing, “subject” isn’t just an object to capture, it’s a relationship that has to endure repetition, doubt, and the unglamorous logistics of making something real.
Context matters, too: Nimoy’s post-Spock career was a long negotiation with typecasting and public projection. Photography offered autonomy, but also demanded a new kind of authority - choosing what deserves sustained attention when the world already thinks it knows what you are. The quote is a small manifesto for serious curiosity: the real challenge isn’t seeing; it’s caring enough to keep looking after the first spark fades.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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