"That's why people listen to music or look at paintings. To get in touch with that wholeness"
About this Quote
The intent is quietly radical because it refuses the common justifications for art (status, taste, investment, even “beauty”) and frames it as contact, not consumption. “Get in touch” is tactile and bodily; it implies you already have wholeness but have lost access to it. That’s the subtext: fragmentation is not your personal failure, it’s the ambient condition. Art doesn’t manufacture meaning so much as restore circulation to meaning that’s been numb.
Context matters. Kent was a Catholic nun-turned-pop-inflected artist working in a midcentury America saturated with advertising, mass media, and political unrest. Her work borrowed the visual grammar of commerce while trying to reroute it toward care, conscience, and community. Read through that lens, “wholeness” isn’t just inner peace; it’s social and ethical coherence, the sense that your private emotions and public life aren’t at war.
The line works because it’s deceptively plain. It doesn’t romanticize art as transcendence; it casts it as reconnection. In a culture that trains us to be spectators of our own lives, Kent suggests art is one of the few places we practice being whole again.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Kent, Corita. (2026, January 15). That's why people listen to music or look at paintings. To get in touch with that wholeness. FixQuotes. https://fixquotes.com/quotes/thats-why-people-listen-to-music-or-look-at-52711/
Chicago Style
Kent, Corita. "That's why people listen to music or look at paintings. To get in touch with that wholeness." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/thats-why-people-listen-to-music-or-look-at-52711/.
MLA Style (9th ed.)
"That's why people listen to music or look at paintings. To get in touch with that wholeness." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/thats-why-people-listen-to-music-or-look-at-52711/. Accessed 12 Feb. 2026.





