"The art of acting consists in keeping people from coughing"
About this Quote
The joke lands because it refuses the grand mystique of “the craft” and replaces it with the oldest, pettiest metric of live performance: audience noise. Ralph Richardson, a working actor from the era when theatre still trained film stars and West End reverence could tip into self-seriousness, punctures the romantic idea of acting as spiritual revelation. He’s saying the job is not to be admired; it’s to hold attention so completely that the body forgets itself.
“Coughing” is perfect as a symbol because it’s so mundane and so uncontrollable. People cough when they’re bored, restless, self-conscious, or simply reminded they’re sitting in a room with other humans. In a theatre, every cough is a tiny protest and a tiny confession: I’m here, I’m not fully with you, I’m aware of my own throat and time and seat. Richardson frames acting as the ongoing negotiation against that drift. Not against hecklers or critics, but against the audience’s physiological urge to break the spell.
The subtext is both humble and ruthless. Humble, because it reduces artistry to service: keep them listening, keep them leaning forward. Ruthless, because it implies that anything less is failure, no matter how “truthful” you felt onstage. It’s also a sly nod to theatre’s fragility: unlike film, you don’t get to edit out the room. The actor’s real medium isn’t emotion; it’s attention, sustained minute by minute, cough by cough.
“Coughing” is perfect as a symbol because it’s so mundane and so uncontrollable. People cough when they’re bored, restless, self-conscious, or simply reminded they’re sitting in a room with other humans. In a theatre, every cough is a tiny protest and a tiny confession: I’m here, I’m not fully with you, I’m aware of my own throat and time and seat. Richardson frames acting as the ongoing negotiation against that drift. Not against hecklers or critics, but against the audience’s physiological urge to break the spell.
The subtext is both humble and ruthless. Humble, because it reduces artistry to service: keep them listening, keep them leaning forward. Ruthless, because it implies that anything less is failure, no matter how “truthful” you felt onstage. It’s also a sly nod to theatre’s fragility: unlike film, you don’t get to edit out the room. The actor’s real medium isn’t emotion; it’s attention, sustained minute by minute, cough by cough.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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